Archive for the ‘Art’ Category

My Favourite Lands

Saturday, May 11th, 2024

I’ve written about my Magic The Gathering basic land collection before, and now seems like a good time to revisit it. Today I’ll talk about some of my favourites amongst the thousands of land cards I own.

I store each type in its own box these days, and have five like the one shown above. Each box can allegedly store 800 sleeved cards, and currently there’s roughly 770 of each basic land, of which I have maybe 750 of them, so I’ve got space yet.

If you’re wondering, the omissions are either due to excessive cost (a set of the five ‘Guru’ lands costs thousands these days) or extreme rarity (the FBB and Salvat foreign-only lands).

I’m quite a fan of this collection, and for the vast majority of new sets it only cost me a few dollars (including shipping) to get all the new basics so it’s a very inexpensive way to keep my toe in magic 🙂

With so many cards it was tough to isolate favourites, but I tried hard for this post. Each land is divided into three types otherwise the results would have been very full-art heavy, and my choices were based exclusively on the art. Since the cards are glossy and sleeved photography was a challenge, and all of these look more vibrant in real life.

Plains

Plains cards generate white mana, and often depict fields or wide open skies. As the game has matured artists have begun to take liberties, as you can see in some of the full-art examples below.

The above are my favourite normal frame Plains cards. The leftmost is the APAC land featuring Uluru, which may be my favourite magic card of all time. I like the middle (from the 2013 basic set) because it’s instantly recognizable as a white mana card and is unique due to its vantage, and the right is one of the Doctor Who basics, all of which I love (and more you’ll see here).

Moving onto full-arts we have one of the Kamigawa lands (which were printed in Japanese in all regions), the best of the ‘space lands’ from Unfinity and a Japanese version of an evocative not-a-mountain from the recent Ixalan set. As with most cards shown today they usually look better in foil and the space plains shown here is particularly dazzling in its ‘cosmic foil’ treatment, where the foil effect includes tiny stars in the pattern!

I’m treating Secret Lair cards as a separate category since these are available only in special sets sold directly via a website. In researching this post I was surprised at the overall quality of plains cards in secret lairs, and the above list wasn’t easy. From left to right we have a plains version of Shibuya in Tokyo (from The Tokyo Lands), a lovely bright plains by Kozindan featuring two beast riders, and yet another Japanese-themed plains from the Ukuyo-e Lands set.

Island

Island land arts are interesting. For years they were extremely literal (a plain painting of an island, usually rising from an empty ocean) but in recent years artists have interpreted ‘island’ as ‘area with lots of water’ which allows greater variety.

The three normal-frame versions I’ve chosen are mostly from recent years and from left are the ‘squirrel island’ from Unsanctioned, a near-photorealistic painting of a ruined bridge from one of the D&D sets and yet another Doctor Who land 🙂

My favourite full-arts are a looking mountainous island from Unstable, a ‘stained glass land’ from Dominaria Unleased and an isometric – and very busy – blue cityscape from Murders at Karlov Manor. The lands from this last set weren’t popular with many players due to their similarities, but I liked them quite a lot.

The secret lair lands I’ve chosen include one depicting a serpent by Kozindan, a snow-covered island (is that cheating?) from Meditations on Nature and yet another card from the Ukiyo-e secret lair.

Swamp

For me, it’s important that lands are recognizable at a glance and I tend to prefer those with color identities very similar to their mana. No blue mountains or red forests for instance. In the case of swamp this means black, and lots of it.

From the normal frames, the leftmost is the ‘Phyrexian’ text card from Jumpstart, the middle is an eerie swamp scene from Kamigawa and the rightmost an ominous depiction of two robotic craft patrolling a noxious swamp from the Warhammer 40k set. This last one looks extra-good in the ‘surge foil’ treatment that debuted in that set.

Continuing the mostly-black theme, the full arts all display dark and unwelcoming swamps. From left we have Unhinged, then one of the dramatic black-and-white lands from Crimson Vow and lastly a full art from Wilds of Eldraine. The black and white lands were available in every colour and while I love all of them I think there’s no question they work best for swamps. The Wilds of Eldraine lands are all photographs of detailed papercraft, so well done they look like paintings.

As for secret lair swamps we have a bonus card from the Seb McKimmon artist set, one of the Brutalist lands and one of the Dracula lands. There’s a lot of good secret lair swamps and this was a difficult category to only choose three from.

Mountain

Mountains generate red mana, usually associated with fire and direct damage. Early mountains were just literal painting of mountain ranges, but I prefer the more volcanic or aflame cards.

From left we have another APAC card, in this case Fuji itself. In the middle is another Jumpstart card depicting unusual burning pyramids, and at right we almost combine the two in another Kamigawa card showing a Fuji-like mountain with a fire spirit in the foreground. Many of the basics in Kamigawa were exceptional.

For the full-art mountains, I think the mountain is the best of the ‘zodiac/Pokémon’ mountains from Theros Beyond Death (this set of lands seems to be the most popular of all the full arts amongst players). The middle one from New Capenna – a city based expansion – takes an unusual choice to depict a skyscraper as a mountain and I think it works well. And on the right we have the best of the Jurassic Park lands, depicting T-Rex himself!

As for secret lair mountains, we see another from the Tokyo Lands set (depicting Fuji once again), one of the ‘vapor wave’ lands from the Shades Not Included set and what I think is the best of twelve exceptional mountains in the Mountain Goats secret lair (which is also the only borderless card in this post).

Forest

Forest cards remain the most literal: trees and greenery. I feel that green mana as a whole hasn’t shifted much since Magic began 30+ years ago, and much more so than any colour art for the basic forests from that time doesn’t look unusual compared to recent versions.

The leftmost art – which debuted in Invasion back in 2000, has been reprinted in many sets. I’m showing the original above, but probably prefer a reprint where they increased the saturation to make it a brighter green. In addition we have another Kamigawa card and probably my favourite of the Doctor Who arts. This was another trio hard to pin down, because there’s a lot of beautiful near-photorealistic forest scenes (mostly painted by John Avon) that could have equally made this list.

My favourite full art forests include the iconic John Avon example from Unhinged, what I consider to be one of the few Lord Of The Rings full art map lands that ‘works’, and a very clever piece from the recent Thunder Junction set: can you see the green mana symbol hidden in the art?

My favourite lands in general may be forests, but I felt that in the category of secret lairs there are fewer outstanding ones than other lands. And yet the above – a work by popular artist Magali V, one of the Transformers lands and a cat-themed land from the Raining Cats And Dogs deck – are all exceptional. It’s worth mentioning that most of these aren’t particularly green 🙂

Lastly I’ll add that the above are only cards I own. There’s a small few I don’t that I think are wonderful, and maybe if I ever get my hands on them (unlikely, due to price!) I may feature them here one day.

Clear Files

Tuesday, April 16th, 2024

A ubiquitous type of Japanese collectible is the ‘clear file’. A plastic, printed equivalent to the ‘manila folder’ of the west, these are the cheapest example of otaku/anime merchandise and are available seemingly everywhere in Japan.

The most common type is shown above: a piece of printed thin plastic folded and sealed at one end to create a folder that opens diagonally. As with most merchandise in Japan, the manufacturing is top-notch, and they have a great smooth feel in your hands and the print quality is super high.

Over the many years we’ve been traveling to Japan we’ve been accumulating these, and now have almost 100. The above photo shows the variety of sizes we own, with the most common being the two in the top left, which are A4 (the kimono girl) and slightly larger. I’m sure there are many more sizes than those shown above – I’ve seen a few as big as a wall poster! – but easily 75% of ours are A4 size.

A decent selection of ours were ‘free’, such as the two above which were bonuses for buying packs of gum/chocolate at convenience stores. If I’m ever in a ‘konbini’ and they have a clear file offer, I’ll bend over backwards to buy whatever it takes to get the file. And no, I don’t know who the people on the above are either!

We have dozens of clear files showing pretty models, which frequently come free with manga magazines. When they do, it doesn’t raise the price of the magazine, which shows how cheap and disposable these things are.

They are frequently given as bonus items when you purchase games, such as the above that came with a Switch game. More than once I’ve been checking out in a Japanese shop and seen a pile of files behind the counter and seriously considered buying the game just to get one.

Girl models aside, the majority of ours are anime related, but files are available for just about anything it seems. There’s a very good chance I’ve bought you one (or more!) of these over the years, and I know such purchases have included animals (squirrels, owls), trains, food and Japanese scenic photos.

I bought the above at the Cup Noodles store in Yokohama. In fact I almost always buy a clear file when I’m in a souvenir shop since they can be so inexpensive: often only a few dollars.

The above is very clever. While I don’t play the Yu-Gi-Oh card game, I love that they made this file to look like a giant card. I wish they’d make a MtG basic land into a clear file!

Earlier this year at the Osaka Ultraman store I spent enough yen that I got to play a bonus game where I had to shoot a little dart gun at a target board. I won the above pop-art clear file of an alien in the Ultraman universe 🙂

Several years ago when we saw NJPW at Tokyo Dome, the above was a freebie if you signed up for life insurance. I played the dumb foreigner and successfully talked my way into a free one! The signature is a facsimile, and ever since getting this KLS and I have nicknamed this wrestler ‘clear file’.

Clear files are often prizes in Ichiban Kuji lotteries (which probably deserve a post of their own one day), and we have quite a few such as the G prize from a recent Uma Musume Kuji.

The above is a girl from the K-Pop band Twice. Bernard bought me this when we were last in Japan together, and one day when he has long forgotten about it I’ll send it to him for Christmas 🙂

Clear files are also available in gacha machines, and the above are two examples (the right is Shin Godzilla). These machines have evolved over the years, and these days the files they vend are usually A4 size.

If you thought the gacha ones looked impractically small, look at the above! This came in a blind pack with a stick of gum, sold like trading cards. The file is so small it can’t even hold a single cheque (remember them?); what’s this supposed to be used for?!

As far as favourites are concerned I have two. The first is the above Puzzdra file sent to me by Adam’s alliteratively-named sister AC. For a game as popular and long-lasting as Puzzdra there’s a dearth of merchandise and this file is special for that reason.

And no surprises I love the above. I really should get some more Ultraman files…

The most recent one we’ve obtained is the above, which came free with a manga weekly I bought in Japan. I’ve never heard of the series, and the mag was long tossed, but of course this file will remain in our ‘collection’ forever.

Oh, and I actually use these things! In fact this post was motivated by me replacing a very worn out one I use for school with a new one (above) taken from our collection 🙂

Landscape Contest: Halftime

Wednesday, April 10th, 2024

Another year, another postcard contest. Once again Bernard and I pit our artistic talents against one another, and once again the winner will be decided by a panel of five expert judges.

This year we’re painting ‘landscapes’ (our definition may be a little fluid…) using acrylics, a medium in which neither of us have any experience. Pencil sketches are forbidden, so it’s all about paint directly onto card.

The subjects are all countries, and each was chosen by either a judge, a wife, mum or us! The contest is now at the half-way point, so let’s see how the scores are after five countries…

China

Bernard’s is on the left, and mine on the right. He went for the obvious – The Great Wall – where’s I went for a whimsical depiction of ‘The Yangtze and The Yellow Mountains’. Both of us were learning our craft (his brushes were too big, I only used a single brush) and getting used to the terrible paints (which I had bought at a discount store)! Looking at both arts now, it’s clear both of us were inexperienced!

The judges gave Bernard the win, but it was as close as possible with final scores of 7.51 to 7.49 (each of the five judges awards three points). Here’s some of their comments:

“Left is quintessentially Chinese, and right has artistic merit. Good start for one of you. The other needs to lift his game.”
“Left conjures China most directly, Right could be Japan? Left has some weirdness with its shadows; the one on the broad forward facing prominent wall. Right has a better color palette and composition.”
“The one on the left instantly says China. However, on closer inspection, the one on the right has the artistic edge.”

Italy

My Colosseum is on the left, and Bernard’s Venice is on the right. When I first received his in the mail I knew I had lost, since no matter how much detail I had attempted the colour of his piece and especially Monet-like reflections in his water were unbeatable.

As expected the judges handed him the win, 8.15 to my 6.85. Here’s what they said:

“I appreciate how difficult painting the colosseum must have been. And actually, the artist really captured the dimension of the thing really well!! It felt so much “squatter” in real life. Still staggering and huge but not like in the movies. I like that you can see sky through some of the windows. Right colors and composition are great. Just a really pretty picture. Now, if it’s supposed to be Venice, I think that water color is generous! It was stinky when I was there. In any event, very pretty picture, and still conjures Italy.”
“I like the layered clouds above the colosseum, but I also like the Impressionistic style of the Venetian canal scene.”
“Painting one is again iconic for the subject. I like the trees and the colosseum but the dark grey buildings in the background don’t seem right and being Italy I want to see cobble stones!”

France

Bernard did the Arc de Triomphe on the left, and I did the Eiffel Tower on the right. This was an amusing inversion of sorts to our approaches to Italy, where this time mine was the more whimsical. The guy with the balloon? That’s because when I was there I remember seeing balloon-sellers on the avenue leading up to and under the tower 🙂

This was my first win, 8.75 to 6.25. The judges were hardly effusive with comments this time, but here’s the few I received:

“Did I immediately recognise the landmarks? Yes. Do I find one more pleasing to the eye? Also yes.”
“Left looks a little unfinished. My eyes want more detail in the foreground. Right gets the higher score despite Pennywise being in it.”

The Netherlands

Given the lead time in this contest – between us painting, mailing and receiving the cards – this was the first one we painted after any judging had occurred. Obviously we both put in significantly more effort, and it’s interesting we both chose the same subjects. Mine is on the left, and his on the right. I spent a lot of time detailing those foreground flowers with a tiny brush!

I won this one convincingly, 9 to 6. I was proud of mine, thinking it was my best yet, so I was happy to tie the scores after four. Here’s what the judges thought:

“Left is lovely. The balance and contrast of the colours is very pleasing to the eye. The aspect is well done giving great depth of field as the eye is drawn across the tulip beds to the distant forest.”
“Composition on left is superior, as well as the definition on the windmills. But right is a good effort.”
“Those Dutch scenes are so similar… They could be from a series by the same artist.”

Egypt

Even though everyone thought it was an oasis (in Egypt?!) my painting in the left was supposed to depict The Nile with a Pyramid in the distance. Bernard’s was a vista of the Pyramids in their glory after being built. He used gold paint for the cap, but the metallic paints don’t show up well in photos (my colosseum was mostly metallic paints). I was quite pleased with mine – look at the detail on the papyrus! – but when I saw his I knew this would be a very difficult one for the judges.

After the dust settled I emerged victor, 7.7 to Bernard’s 7.3. The judges words:

“Gotta go with the greenery. The gold cap on the white pyramid is a nice touch.”
“Left has nice colours and brush strokes and I like the idea of the oasis mirage in the desert. I would have liked the palm trees to look more palmy and the pyramid dimensions look a bit wrong. Right I like a lot. I love the bold colours and strong contrast and the silhouette of the Bedouin on his camel is very well done. A very striking painting!”
“Why is the oasis in left so close to the pyramid?? Right must be a very ancient image because it doesn’t look white and gold anymore but the coloring is too plain.”
“I liked them both but left immediately granted my attention.”

At the halfway point I’m ahead 3-2 but the contest has been much closer than any previous! Also I think it’s clear we’re both getting better as we go, and putting more effort in as well.

I feel the best subjects – and artworks – are yet to come, and I look forward to see what the judges decide!

Eggstravaganza 2

Sunday, March 31st, 2024

Happy Easter! Yesterday JK and DK visited and we coloured eggs like we’ve done before. Here’s the results…

Just dunking them in the dye (once again made by dissolving dye tablets in a vinegar and water mix) isn’t too exciting, so we first used a marker to create some more interesting designs.

I’m sure I don’t have to identify the above, but Ronald WcDonald, Gudetama and Ultraman all look wonderful on boiled eggs eggs!

A transparent crayon keeps the dye from colouring the egg, which is how the parts are kept white. It’s an imperfect method as you can see in this pic of the finished eggs:

Let’s just assume Ronald has some sort of wasting disease and both Doraemon spent the morning rolling in dirt! I’d say all things considered the ‘basket’ of eggs looks wonderful and probably much more interesting than in many other homes today!

We also tried another unusual method of colouring (again from a kit), which involved making a weird foam (KLS did this, using the included powder mixed with water and a hand mixer), then putting the dye on top and swishing the egg around. It didn’t work anywhere near it claimed to, was horribly messy, and I’m sure there were homes in America today where children created an ungodly mess using this kit!

In case you’re wondering, the K’s will eat the eggs 🙂

Chocolate Stickers

Sunday, January 21st, 2024

Back in 1977 a Japanese candy company called Lotte begun releasing wafer snacks with packed-in stickers (called Bikkuriman). They were immediately popular, but in 1985 with the release of a series of comedic stickers depicting a war between angels and devils (Akuma vs Tenshi) the wafers became a phenomenon.

The above is an artbook I bought in Japan (with a fancy holo cover to make it look like a sticker) and some example art of the first series released in 1985. These stickers are very collectible these days, and I’ve seen very rare ones in stores for thousands of dollars!

I’ve read that the official series of angels vs devils stickers ended some years ago, but Lotte wafers with stickers are still available and I’ve been buying them since we first went to Japan over 20 years ago. The above is a photo of one purchased on the recent trip, showing how the sticker is just packed right next to the wafer. These cost about $1 each, which is pretty good for a tasty wafer and a metallic sticker!

The above shows some recent stickers in the original series depicting ‘angels’ and ‘devils’. The art is stylized, comedic and colourful, and the metallic or holographic effects on the stickers immediately draws the eye. I know had I lived in Japan as a youth I would absolutely have been collecting these!

The most famous sticker was the super rare one in the 1985 series called ‘Super Zeus’, and the above is a version of him from a commemorative series of ‘ink style’ art from a few years ago.

In 2013 as the popularity of the original story began to fade, Lotte began releasing licensed stickers, and that continues to this day. The above is a Star Wars one from the sealed box I purchased back in June. You can read about it here. I would love to get the stickers from the second Star Wars series (the prequels), but alas have never seen a single one for sale.

The decades-long popularity of these stickers led to many competitors, and collectively they’re known as ‘chocolate seals’ in Japan. They’re always small, square, and usually have bright colours and a metallic or holographic effect. The biggest producer these days seems to be Bandai, and you can see examples of unopened packs and various licensed stickers above.

I used to just stick the stickers, and they’ve graced many postcards over the years (check old ones I’ve sent you and you’ll probably find one). But ‘choco seals’ are serious collectibles in Japan, and there’s a mini-industry around them including guide books, sleeves, albums to store them in and even protective lucite cases like this magnetic one I bought on the recent trip:

I’ll never ‘collect’ these, but I love the Star Wars ones and ever since getting them my eyes have opened a little wider towards these stickers. And then in the last couple of years this happened:

Bandai started releasing Ultraman ones! The above is a box of series two, and I hope to complete the set since I’ve already opened many packs even before buying the full box.

Sadly I missed out on series one (it released early in the pandemic) and although series three is apparently out I never saw any for sale these past few trips (which is doubly mysterious since shops were still selling series two).

The stickers are wonderful! Not only colorful and metallic, some are also etched and have reflective holographic effects (like stars) on them. I’ve got many doubles as well: if you want one on a postcard leave a comment.

The oldest ‘choco seal’ I own is coincidentally also from Ultraman, was acquired during one of our Japan trips almost 20 years ago, and depicts a kaiju from Ultraman Dyna. How it survived all these years without ever being stuck I’ll never know, but now it will live in my (not a) collection forever 🙂