Category: Art

Food Contest: Halftime

For the fifth consecutive year, Bernard and I are competing in a postcard contest. With the same five judges as last year the category this time is food.

This year we’re using markers only – no pencil sketches! – and I printed cards featuring lovely AI art of girls eating. While the ten subjects – most chosen by judges – are all types of food, there is no requirement to literally depict the subject: images evocative of or inspired by are acceptable ok. At least that was the theory…

Fruit

Mine is on the left, and Bernard’s on the right. Immediately we both learned how shockingly poor quality the markers were! The colour distribution is strange, they bleed a bit onto the postcard, and they change colour as they dry. I suppose I shouldn’t have simply purchased the cheapest option, but $8 for 40 markers was a deal only a fool would have ignored!

As for the art, I wish I’d done a sunset background instead of blue (which dried darker than it looked when drawing), and Bernard’s leaves I think also suffered from colour changing.

To our surprise this first category was a tie: we each scored 7.5 points (each judge divides 3 points between the two pics)! Individual judges had preferences, but in the end the scores were even. Here’s some of their comments:

“Both good but flawed. Left pic is wallpaper-like or even stained-glass window-like, except the fruit isn’t uniform. Right pic is more striking, while having size problems and missing a shadow.”
“Love the stained-glass motif but left seemed less fruit centric. Love the blue.”
“I like the stained-glass window effect of the first picture with the checkerboard style contrasting. The structure and balance of form and colour are very well done. The second picture is pleasing in its simplicity with clever use of negative space and a modernised with the black outlines and stylised shadowing.”

Pasta

Mine is left and Bernard’s right. I hated mine. The spaghetti was extremely difficult to render with the markers, and none of the colours were quite right. I added an ‘Italian’ background but the green dried lighter and it looks silly. I was positive I’d lose… but then I got Bernard’s in the mail and suddenly wasn’t so sure!

The judges preferred mine, and I won 8.1 to 6.9. The comments suggested they liked our efforts better than we did! Here’s what they said:

“I marvel at the technical artistry in the left picture. The fork full of fettuccine is so well executed I feel like I could lean in and take a bite from the plate. Right ois a visual magnet. The combination of colours and forms is so attractive it should be gracing the front of an Italian postcard or advertising your favourite Italian restaurant.”
“Left is good but it’s a bit bland and boring.”
“Both pictures were made with longing. Made by a person really longed to see a pasta.”

Hamburger

Bernard is left and me right. I was keenly aware mine was a risk, but I felt Hamburglar was as iconic to ‘hamburger’ as a simple depiction. I was even going to draw him without any burgers, and in retrospect wish I had. I was very proud at the likeness, and was happy had the correct colours as well.

The judges were confused, and I got a couple of questions asking if mine was even allowed! Even after explaining this wasn’t supposed to be a simple ‘drawings of food’ contest they greatly preferred Bernard’s (unquestionably well rendered) literal depiction, and he won 10.3 to 4.7 in the contests first blowout!

“The left hamburger looks delicious. Two all beef patties special sauce lettuce cheese pickled onions on a sesame seed bun!!!!! I will remember that phrase till the day I die I think. Right is disappointing. I don’t want to eat those hamburgers!!”
“The Hamburglar pic is cute, but there’s so much more burger to the other one.”
“What’s the green stripe in left?”

Ramen

Mine is right, Bernard left. I went with a pop-arty approach, and traced around inverted glasses to get perfect circles. I half based mine on a reference photo but felt noodles were essential and added many more, as well as two naruto. I was happy with it, and personally felt Bernard’s – while well drawn – was lacking in actual ramen!

He scored a narrow victory with 7.3 to my 6.7. The judges were torn with two ties and it came down to one of them to cast the decider. Their comments:

“Both are great and could be T-shirt designs or something. If I had to pick a fault, the bowl on the right is maybe a tad too stylised.”
“While left is more traditional the modern twist of right is superb.”
“Left just had more… soul? Also broth, key ingredient to ramen. Kudos to the spiral fish cakes though on right.”
“I like the egg yolk on the left but it looks quite rushed. The meat color for the right is too pink and it looks too flat and lacks toppings, but I like the cartoon approach.”

Cereal

Mine is left, Bernard is right. I’m proud that I didn’t use any reference photo. I held a box of Raisin Bran as a model, and labored over the transparency of the bag which was a big challenge due to the markers. When I received Bernard’s I was impressed, but I felt it was a bit ‘safe’ and had a feeling by this point risks would be noticed by the judges. The fact we both used fruit loops was a coincidence.

The judges overwhelmingly preferred mine, and I won 10.45 to 4.55. Some comments:

“So much detail in left. I love the colours and perspective and the splashing of the milk. While right is nice it just pales besides the obvious effort taken in left.”
“I like the dynamic splash of the milk on the left, although right has something of a seriousness/still life quality to it. Did you guys align on fruit loops before starting?”
“Funny that the actual cereals are so similar. Left pic is very dynamic, and I have to award it more points.”

With one tie and two wins each we’re now tied at the halfway point! This is a challenging contest – food is much more difficult to draw than previous categories – and it’s absolutely anyone’s game at this point.

Come back in six weeks or so to see who wins!

The Frank Frazetta Museum

We’re in Pennsylvania! We’re on our annual fireworks shopping trip but we extended it a day so we could visit the gallery of famed fantasy artist Frank Frazetta.

Frazetta was an illustrator that initially worked in comics before a career painting paperback book covers that would influence fantasy and science fiction artwork to this day.

Most of his paintings were oil on canvas, but he was a talented artist that also used pencils, watercolor and ink and painted on various canvases including masonite (as seen above).

The museum is on the property he lived at in The Poconos, and displays 37 original oil paintings as well as a large amount of sketches and other paraphernalia related to his life and career.

Frazetta painted covers for many Conan and Tarzan novels, and his artwork was so recognizable and iconic it sold the books. His depiction of Conan in particular was archetypal, and to this day the usual image of Conan is based on Frazetta’s depiction.

Anyone that’s read any fantasy or science fiction written since 1970 has likely held a book with a Frazetta cover, and it was quite a thrill to see the original art used on so many of these books. In the photo above you can see an original oil painting of a wizard menacing two warriors, and the same image used on the cover of a 1979 calendar and a paperback from the 1970s (which I own).

He often painted over his works, even after they had been used for book or magazine covers. He did this to change lightning, facial expressions, to add/remove elements (such as clothing) or for various other reasons. Looking at the paintings close up it was obvious where paint-overs had occurred, and the gallery often included photographs of the originals for comparison. In my opinion some paint-overs improved the works but others didn’t, and the fact that originals were lost forever is something I find a little sad.

Frazetta was well-known during his life, and such was his skill and renown that he worked extensively in advertising and in the movie industry as well. The museum had many relics regarding this part of his career, but the letters from Clint Eastwood (above, with his phone number!) and George Lucas (thanking him for selling a painting) were my favourite. There was also a signed letter from President Eisenhower, who Frazetta had done a portrait of.

Frazetta died in 2010 (at age 82) and his works were divided amongst his four children. The museum is primarily the collection of one of the children, which is to say it’s hardly the entirety of Frazetta’s works. As probably the worlds foremost fantasy artist his fame has only grown since his death, and recent sales of three of his paintings for over $5 million will put pressure on his surviving family to sell off his works. I hope the museum can resist the urge since we thought it was a wonderful gallery of his life and works, and very much a place any fan of fantasy art would enjoy visiting.

They had an amazing shop with all sorts of merchandise. We bought some books, two canvas prints and a few other items but the real treasure was the above still sealed 1979 calendar! When will I open it? No man knows 🙂

Enchanted

I walked from Ultraman Shopping Street north for about a half hour toward the nearby ward (or suburb) of Setagawa. My goal was a gallery to see a very special art exhibit, and I knew I was on the right track when signs began to appear on community notice boards:

By sheer providence I had seen a sign advertising this in a bookstore the other day. Junji Ito is one of my favourite manga creators, and I love his stories and his art, and to be honest he would have been at the top of my list had you asked who I’d like to see an exhibit of, so I was absolutely overjoyed to have a chance. But would it be good?

It was astonishingly good! This was a full blown exhibit of original art spanning his nearly 40-year horror manga career. There were dozens and dozens of pieces on display, photos were allowed, and we could get right up close to the works to admire their detail.

It was arranged chronologically, starting with Tomie and moving into Uzumaki and Gyo and his many short stories since. Almost all the original art – oils or watercolours – for the covers of his works were on display, as well as massive amounts of iconic manga pages.

Yes this is all his original work, not facsimiles or reprints; Hand drawn by him using inks and screen tone. Many are larger than the size they were printed, and it was fascinating to see how he created his work in detail.

Take the above for instance: the white lines on the top panel are actually painted on to a black background. And you can see white paint was used for the sound effects, which suggests they were added afterwards, over the art. Every black line is hand-inked, and the lightning appears to have been scratched (?) out of the tone used for the sky. In his comments that accompanied several of his example pieces, he mentions he doubts he could produce such detailed work today (he’s 60 now).

Much of the art was presented framed, but the gallery space itself was also wonderful designed and decorated to fit his work.

That’s the Uzumaki room, which contains many panels from the manga, as well as colour art for the covers and even early designs for characters or covers

As technology changed, so too did manga production, and most of it is digital now. Apparently Ito still works with traditional media (they had photos of his studio which didn’t look like it has changed much since the 1980s) and assistants touch up his line art digitally. Here’s a comparison from Hellstar Remina showing his original at bottom and after the tone is added digitally on top:

Those pages were very large, about newspaper sized each.

The exhibition included a lot of original oil or watercolour art pieces not created for particular manga stories, and the above one (look closely in the background) had a comment from Ito that when this was listed in a gallery years ago it didn’t sell but he thinks if he listed it again it would 🙂

For many years he was well known in Japan but a cult creator overseas. In the last five or so years his fame has exploded and he is now extremely successful worldwide. One room of the exhibit contained a dizzying selection of his publications in many different languages, and it was mentioned he’s been selling about half a million copies a year in the USA for several years now.

One room contained work he created as a child or while in high school! This was also the room that featured his famous cat manga (which he wrote about his experiences of adopting cats with his wife). The art in those books – which portrays cats in his distinctive style – is wonderful:

There was also this prototype figure made especially for the exhibit:

And this copy of the first manga monthly he ever had a story in:

I hate to reduce this man’s prodigious talent down to something base, but I just kept thinking about the fact that this exhibit of dozens upon dozens of iconic and extremely talented original manga art and paintings must now be worth a fortune. A quick search online shows that small sketches of his have sold for $3000+ in recent years so I can’t imagine what something like this painting could go for:

I can’t overstate how much I enjoyed this exhibit. I have two shelves of his work at home, and have been reading him since long before he became well known in the USA. It was a privilege to be able to see so much of his original work, and to read about their inspirations in his own words.

This was probably the highlight of this entire trip 🙂