Category: Blog

Mint In Box

I bought some clear plastic boxes:

“What the hell are these?” you ask? These, my friends, are polyethylene terephthalate protective cases for retro game boxes! I bought 150 of them: 25 each for NES and SNES/N64 and 100 for GB/GBC/GBA/VB. Since my collection has value, I reckoned it was time to add a little extra protection to the more expensive titles I own.

The protectors ship flat and fold into boxes very slightly large than the game cases. Insert a game, close the tabs, and you’ve got yourself a game protected from the grubby hands of the typical gamer!

Every game above I purchased myself new. I’ve kept them in astonishingly good condition over the years as they have appreciated. I paid $20 for Dragon Warrior IV 25+ years ago; it’s $200 now. Final Fantasy cost me $14; it’s $150 now. You can see why I put them in cases!

But it gets better with the SNES stuff:

Those three combined would easily fetch $750 today! Possibly more since they’re in immaculate condition (Chrono Trigger alone could probably fetch $500). Keeping them in cases should preserve them for many years longer.

The Nintendo 64 boxes are the same size as SNES boxes so they share protectors. This ‘chrome’ collectors edition of Zelda fetches a pretty penny today and is just one of a few N64 games I own that sell for much more than I paid when I bought them.

If you’re astonished by these prices be mindful it’s all about the boxes. The cardboard boxes Nintendo used for their first few consoles tore easily and many people just tossed them out. At least 50% – sometimes 75%+ – of the value of a lot of these games lies in owning the box and manual, hence the utility of these box protectors.

Box protectors are a bit of a rabbit hole to delve into though. Frustratingly Nintendo used different boxes in different regions so I can’t protect my Japanese copy of Sin and Punishment or any of my Famicom games. There’s also a few (silly valuable) N64 games with custom boxes that don’t fit in the protectors. But I’ve kept them in good condition for 20 years already and should be able to for another 20 at least.

I’ve still got the 100 Gameboy cases to put on. I’ve got about 260 boxes games that they can fit so it’ll be fun working out which ones are worth protecting. Maybe I’ll post an update when I’m done 🙂

Over 75 Hours Of Ultraman!

Since the start of summer I’ve been watching a lot of Ultraman. This is because – to my delight – it’s finally all being released on Blu-Ray here in the USA. Naturally, I’ll buy and watch it all!

Return of Ultraman (1971, 51 episodes, 22 hours)

This was the third Ultra series, a followup from Ultraseven which had been such a success Tsuburaya somewhat reluctantly continued the show into a third series. This time a race car driver – Hideki Go – assumes the mantle of Ultraman Jack to save the world from the usual gallery of intergalactic, supernatural and extra dimensional threats.

It mostly follows the style set in the previous two series, with monster-of-the-week stories that are fun for kids but also very watchable by adults. Much of the success is the charm of Go himself, a very earnest hero that never quite manages to regain his humanity after being saved by Jack (when he dies). The show has some dark elements as well – a character is dragged behind a car to death! – as well as a horror ‘series’ of episodes that I bet thrilled Japanese kids in 1971!

I particularly loved the location episodes, which traveled all around Japan and gave me many ideas for future trips! The winter series that had characters running around in waist deep snow were mesmerizing!

Overall I really enjoyed this series. It wasn’t as good as Ultraseven (read my review here), but that’s an incredibly high bar and Return of Ultraman is still a great six-fi show.

Ultraman Ace (1972, 52 episodes, 22 hours)

By this, the fourth Ultra series, Tsuburaya knew they were into a good thing and in Ultraman Ace they began to develop what we know call the Ultra Universe. There had been brief cameos before, but in this series the new Ultra was often joined by his ‘brothers’ (Ultraman, Seven, Jack and Zoffy) and even – in memorable episodes – his father. Together they fought to protect earth from a weekly parade of giant beasts and villains. And they talk! In previous series the Ultras were almost entirely silent but here the talk to each other and its clear there’s a history and society beyond their appearances on Earth.

The series in some ways is a step back from Return of Ultraman. Despite an interesting twist of two hosts for Ace, neither had the charm of any of the previous hosts. And the ‘terrible monsters’ featured in the show we’re at times a bit too bizarre to be credible. Ace however is a dextrous and dangerous Ultra, and the fights were both more acrobatic and violent than the previous years.

Toward the ends it gets a bit too childish and even starts to include blatant promotions for Ultra toys (which had become big sellers in Japan), and I found the end a let down after the great final episodes of previous series. The weakest of the early series that I have watched.

Ultraman X (2015, 22 episodes + movie, 13.5 hours)

Jumping forward forty-three years and we have the 27th Ultra series! Mill Creek is releasing them in an unusual order, but since the different series are only loosely connected it’s not a big problem. I hope they go back and release the 5th through 26th series, especially the one made in Australia in 1992 (Ultraman: Towards the Future)!

I’ve seen quite a lot of recent tokusatsu (‘men in rubber suits’) series and this one adheres fairly well to the formula: lightweight but fun stories with lots of posturing and flashy effects during combat. X is a ‘digital’ Ultraman who lives in (basically) a cellphone and his host fuses not just with him but also with ‘spark dolls’ and monster ‘trading cards’ to form all sorts of variant forms for X. Mid combat upgrades and form changes are common, and this is taken to the extreme in the movie where he fuses with no less than five other Ultras to create a super-version of himself.

Suffice to say it’s absolutely bonkers and I loved every second. It was such a joy to finally be able to watch a subtitled recent Ultra series, but this exceeded my wildest expectations.

The cast is great too. Ultra’s host is an earnest and likeable just-out-of-teenager who works for Earth defense alongside a tsundere young woman of indeterminate age (who naturally I liked) and who is assisted by a stupidly peppy scientist played by a real-life idol that is constantly talking about how cute the Ultras are.

There’s insane levels of product placement and I’m sure the trading cards and swords and spark dolls used in the show are the actual ones you could buy in Japanese toy stores when the show ran. Rather than repulse me it just made me want to go back to Japan and start scooping up all the Ultra merchandise I see. Damn pandemic…

An awesome series. Watch it!

Ultraman Orb (25 episodes + spinoffs, 18 hours)

The 28th Ultra series is a doozy, and after watching I learned it’s one of the most beloved. It tells a mostly self-contained story of an Ultraman (Orb) who lost most of his powers and is stranded on earth with lost memories. His human form – Kurenai Gai – takes up with a sort of amateur X-Files group and usually ends up saving them from the usual rogues gallery.

At the same time his alien nemesis – Jugglus Juggler (yes you read that correctly) – is making things very difficult for him. A girl is involved, secrets are revealed and powers restored and it all comes to an extremely satisfying conclusion.

As I implied this is a monstrously good Ultra series. The three main characters (Gai, Juggler and Naomi) are all extremely likable and it’s remarkably well written for a tokusatsu merchandise vehicle! The effects – especially the CGI – are even better than in X and every time Orb learns a new form the reveal is magnificent. I loved this show!

Unfortunately the same can not be said for Ultraman Orb Origin Saga which tells the backstory of Gai and Juggler before they came to Earth. It’s not at all bad, but they aren’t yet the characters we loved in Orb and not as interesting.

The two movies though are great, especially Ultra Fight Orb that features some insane centuries-long training in a slow-time room so Orb can gain power to defeat the big bad. An idea stolen from Dragonball of course, but it works well.

Overall Orb is a truly great series, and I’m not surprised they brought Juggler back in the current (2020) Ultra series…

Over 75 hours of Ultraman so far (not including the 70+ hours I’ve watched during the last several years of the first three Ultra series) and I’m still going strong! I’m already six episodes into Ultraman Geed, have Ultraman Ginga arriving in the mail any day now and Ultraman R/B is released next month. Not to mention the new version of Ultra Q that is sitting next to me waiting to be watched, and the ‘coming soon’ second season of the (fantastic) Netflix animated Ultraman series!

I just hope they release it all before physical media dies completely! I can’t wait to have a bookshelf with over a thousand hours of Ultraman…

Bag of Stamps (part two)

You’ve been waiting all week, and so have I! With no further ado, here are the contents of the dinosaur stamp envelope:

The bag was supposed to contain fifty but had Eighty-two unique stamps (and one double)! In total 13 countries are represented (the number of stamps are listed after): Bulgaria (1), USSR (4), Republic of Congo (5), Hungary (5), Laos (4), Mali (7), Azerbaijan (6), Guyana (9), Romania (6), Tanzania (12), São Tomé (6), Western Sahara (11), Madagascar (6).

The above nine are very large and were issued by the South American country of Guyana in the early 1990s. Apparently they show ‘prehistoric creatures’ that once lived in the country… but isn’t that a koala?!?

Here’s some (presumably?) extinct birds on a series from Laos from 1994. The art on these is very pretty.

And here are seven dinosaur stamps from Mali, from 1984. Curiously most of the art is reused on different-denomination stamps.

One thing every one of these stamps has in common is that they are unused. And yet you’ll notice almost all of them are canceled with postmarks. This is because these are all CTO (cancel-to-order) stamps, which are topical stamps printed for the collectors market. The stamps are canceled (by machine) at the printers and then sold in bulk to resellers as a way to raise revenue for the countries that print them. CTOs like these are apparently much more common in countries without robust postal services, and still exist today.

Researching these I learned that dinosaurs are a very popular theme within stamp collecting with almost 4000 stamps issued across the years by almost every country. The first stamp showing an actual dinosaur was released by China in 1958, and they continue to be popular today with an example being the recent lenticular T-Rex set issued in the USA. I even already had a few myself, that I blogged about a few years ago.

All these stamps – and all the other loose ones that were in the bag or that I already owned – are now in a fancy new binder I bought myself since last weekend. It’s a good way to store them, and there’s loads of empty space left if I ever happen to get my hands on more stamps in the future…

To end this two-part series, I have to say that this bag of stamps that I thought was a risky buy even at $8 ended up being a lot of fun to sort through and research! I hope you enjoyed looking through them with me 🙂