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Retro Wax Packs (Part 2)

Saturday, April 23rd, 2022

It’s time for the second entry about opening old trading card wax packs!

Jaws 2 (Topps, 1978)

In 2020 the pandemic delayed most new release films and as a result our drive in played mostly older movies. We got to see the original Jaws on the big screen and it was incredibly good. At the time I felt I’d never actually seen the sequel and looking at these cards I’m now sure of this.

As far as trading cards go this is a competent set, but it’s an early one from Topps and they had yet to learn the lessons from the success of their Star Wars cards. This means no plot summaries, no die-cut stickers, and a poor puzzle on the backs of select cards.

As kids it was always fun to read the ‘movie facts’ on the backs of cards, since it wasn’t like we’d get that info elsewhere. But based on the imagery on the cards Jaws 2 was a film that perhaps didn’t need a trading card set 🙂

Here’s Bo (Fleer, 1981)

This is just a perplexing set. It purports to be a set of Bo Derek photocards, but the photos are all taken by her husband on what seems to be the set of the Tarzan film they made in the early 1980s.

It’s a bizarre selection of photos, especially since at the time she was a famous sex symbol selling lots of pinup posters. Surely they could/should have included a few of those images in this set?

The included poster is folded up many times and in this case had a sticker of flour-coated gum absolutely adhered to it. When unfolded it’s biggish considering the delivery system, but who would ever want to hang this on a wall?

Oh and the text on the back of the cards is very abbreviated and – to be blunt – creepy:

I can’t see who the audience for this set was!

Ghostbusters II (Topps, 1989)

I’m not a big fan of Ghostbusters, and don’t see the film as iconic as some people do. It was fun enough at the time, but I don’t recall ever being enthusiastic about a sequel, and when one finally arrived several years later I recall seeing it but remember nothing of the experience.

This card set is one of the latter ones that Topps released in wax pack form, and much like Robocop 2 (see the last wax pack post) is a by-the-books set with decent design and good print quality. The choice of a ‘wide screen SFX shot’ card is novel, but is the aspect ratio even different from the others?! The sticker card is shown in the middle, but there’s no explanation what the image is. As with other latter sets, by this time they’d stopped die-cutting the stickers which is a shame.

The film plot is summarized on the backs of the cards, which reminds me this was a baby-intensive film. Here’s a message to Hollywood: if you’re making a film in a franchise aimed at teenage boys, perhaps think twice about basing the plot around a baby 🙂

Howard The Duck (Topps, 1986)

A George Lucas film using a Marvel character?!? When this one came out in 1986 we went to see it with our cousins (Troy and Ryan) and I daresay we left the film even more confused than when we’d seen Caravan of Courage a year prior. This is a strange film for many reasons.

The card set is quite good, with a lot of nice shots of Howard and a well written plot summary on the reverse. But did anyone enjoy the film enough to actually buy these cards?

What stands out from this set is the quality of the stickers! These packs were very cheap so I bought two and both stickers are amazing:

I’m tempted to even try to stick these on something! Overall this is a fairly good set for a distinctly weird film that is worth a watch if you haven’t yet seen it.

Black Hole (Topps, 1979)

From one weird film to another! I believe we saw Black Hole at the Gateshead drive in when we were grasshoppers, and I’m sure we enjoyed the robot scenes but were bored mindless by the lengthy exposition and insane ending. This is a relic of the era of rushing out anything with science fiction content to cash in on Star Wars mania!

Faults aside, the film is visually strong, and lends itself well to trading cards. I recall buying a few packs of these as a kid, and tossing all but the cards showing Vincent and Maximillian!

There’s a well written summary on the backs of some cards, and as usual with Topps in those days we get a subset of die-cut stickers:

Oh and I almost got enough cards in the pack to make a jigsaw puzzle:

Overall this is one of the better sets I’ve opened recently, and I think would have been worth collecting had I had they been available to me as a kid. And as a bonus – since I haven’t shown any this post – here’s a shot of the 43-year-old gum I found in this pack:

There’s one more installment of this mini-blog-series forthcoming, with six more weird and wonderful wax packs from the 1980s. Watch for it in a couple of weeks!

Posted in Blog, Collecting, History, Miscellaneous, Movies, Otaku, Retro, Trading Cards | Comments Closed

Retro Wax Packs (Part 1)

Sunday, April 10th, 2022

In the 1970s and 80s, trading cards were packaged in waxed paper that was folded and heat-sealed. The term for such packaging is ‘wax packs’ and generally refers these days to any package of trading cards sold before 1991 (when the last wax pack was used). Importantly to me, all the cards of my youth were sold in wax packs, so these are very nostalgic for me.

Recently I bought a bunch of unopened wax packs from the 1980s, and over the next month or so I’m going to open and blog them all. Let’s start!

Robot Wars (Fleer, 1985)

This is a set of game cards, cashing in on transformers and scratch-off lottery tickets, and conceptually similar to the Super Mario and Zelda cards I have previously blogged.

The pack contains three game cards that no longer work since the scratch-off material has solidified (and I mean solidified; it’s like obsidian)! I expect children would have enjoyed these back in the day though. There’s also a sticker in the pack, but it’s in less-than-perfect condition due to a quirk of wax packs – the gum:

Almost every wax pack – and certainly all of them targeted at kids – contained a stick of gum. Over the 35+ years the gum has at worst become brittle and cracked to pieces or at worst become greasy and moldy. In most cases it’s just a solid inedible stick that has cemented itself to the card it was adjacent to. Removing it usually causes damage, as you can see above.

Incidentally there’s an internet rumour that this ancient gum has become poisonous and dangerous to eat. This is nonsense: it’s mostly just distasteful or extremely bitter. I’ve eaten some before, and I learned then never to eat it again 🙂

What about the ‘win a robot’ contest? Well it was a write-in, as detailed above. I wonder if anyone actually did this and won, and if so what happened to the robot?

Superman III (Topps, 1983)

This is the one with Richard Prior, and definitely not one of the better Superman flicks. But Topps, which had enjoyed in the years before massive success with the Star Wars cards, followed their formula and made a great set here.

The cards are nicely designed with good printing and a lot of action scene for the kids (from a film with a lot of ‘boring’ comedy scenes). The backs are nicely written too:

In addition the pack includes the usual sticker, and these were the days when Topps die-cut their stickers, which from a kid point of view made them just that bit better:

The gum in this pack hadn’t stuck as much to the card, and the pack itself was very easy to open, so I can show just what one of these wrappers looked like unsealed:

Unsurprisingly the wrappers themselves are collectible, and some of the rarer ones are worth big bucks these days in good condition.

Robocop 2 (Topps 1990)

We’re close to the end of the wax pack era, since 1990 was when Topps both moved to plastic and abandoned the gum. We’re also more than ten years after the first Star Wars set, but Topps was still following their standard formula here with Robocop 2:

The eagle-eyed amongst you will note scenes from the first film amongst these cards, and this is explained on the back with a little comment that the set ‘Includes highlights from Robocop’s first adventure‘.

Ah, the 1980’s, where companies didn’t think twice about releasing trading cards for kids based on ultra-violent R-rated films 🙂

Cyndi Lauper (Topps, 1985)

In 1985 Cynthia Lauper was 32 years old and at the peak of her fame. I wonder what it was like for her to open a pack of trading cards all about herself?

The cards themselves are just ok, with underwhelming photos and the usual Smash Hits level factoids on the back. For fans though, I expect these were a real treat.

The stickers are die-cut but a bit ugly (or maybe just very 1980s). That said I’d still love to stick one on a postcard now, but I know from experience that if you peel a 35+ year old Topps sticker off the backing it’ll never restick! As with most sets of that era the backs of the stickers can be used to form a large picture: a nice use for the card even if you remove the sticker.

The gum in here was very unusual. This is the first time I’ve seen a wrapped piece of gum in a wax pack, and it was branded as well! I’ve included the joke from the wrapper to give you a belly laugh…

Indiana Jones (Topps, 1984)

While generically named, these cards are based on Indiana Jones & The Temple Of Doom, the second film in the series. This is the only pack I’m showing here today that I remember buying as a kid. And just as I’m sure I did then, I’m very impressed with these now.

The cards are wonderfully designed with great stills and the adventure style font compliments the pictures well. The backs all describe the action and preview the name of the next card (once again following the formula they perfected with the Star Wars sets):

Back in our Australian youth we often got the cards before the films, so almost everything in the movie was ‘spoiled’ for us. But it didn’t matter, and in some ways made the films even better since we were seeing the pics from the cards in motion. And afterwards, in an era without internet or video, our cards were a convenient way to relive the movies.

I bought two packs of these cards (and they weren’t cheap at $8 each, but unopened packs from Raiders are much harder to find and often more expensive) and in my second pack got the title card shown above.

The stickers from this set are amazing and once again I wish they still worked. I wonder what I did with the ones I got as a kid? The picture you can assemble from the sticker backs is shown at the right: and as a child if I collected the cards I would have made this and glued (yes glued) the cards onto cardboard to turn them into a sort of mini-poster!

What do you think of these sets? As I said there’ll be more in future weeks. I wonder what other treasures I managed to get my hands on…?

Posted in Blog, Celebrity, Collecting, History, Miscellaneous, Movies, Music, Otaku, Retro, Time, Trading Cards | 3 Comments »

75 More Hours Of Ultraman!

Tuesday, April 5th, 2022

It’s time for another update in my (endless?) watching of all the Ultraman series! As with before, I’ve watched a mixture of older and new series since the last update.

Ultraman Leo (1975, 51 episodes 21.6 hours)

By the mid 1970s the Ultraman franchise was almost 10 years old, had been airing continuously on Japanese TV, and was expanding into other markets. To keep itself fresh it kept reinventing, and Ultraman Leo – the 7th series – was quite unique compared to its forbears.

For starters Ultraman Leo himself was not from the same planet as the other Ultramen, and transformed via a ring and not due to any inherent power. He had a brother, and at the start of the series while he was undeniably superheroic, he was still inexperienced and had to learn from a mentor. This mentor was none other than Dan Moroboshi, the human form of Ultraseven, who could no longer transform due to an injury.

Almost every episode of the series follows a similar format: Leo fights a monster but lacks the power to defeat it, then goes away and trains, then at the end achieves victory via a new ability or power. The show is heavily inspired by kung fu movies of the era, and the training sessions and unstoppable determination of the main character can at times be alarming.

And yet Gen – the human form of Leo – is a charismatic sort and it doesn’t take many episodes before the show grabbed me. It didn’t hurt that the show was notably more adult than Taro – perhaps by now Tsuburaya was actively catering to their aging fans?

Toward the end the plot makes a sharp left turn, killing off almost the entire cast in the first few minutes of an episode and essentially rebooting itself with no warning. But it ends well, and when Gen removes his ring to spend the rest of his days exploring his ‘new home’ (Earth) the audience, having seen what he’s gone through, can only wish him the best.

Ultraman 80 (1980, 50 episodes, 20.4 hours)

A couple of years passed before the next Ultra series, and in that time the world got Star Wars and science fiction storytelling changed overnight. Except for the Ultra series, since Ultraman 80 – a new series for a new decade – was in many ways a return to form after the experimental storytelling of Leo.

The setup is familiar: an Ultraman (called ’80’!) lives in human form on earth, protecting the world from the threat of aliens and giant monsters. The series begins with an interesting premise: Takeshi (the human form of 80) is a teacher at a school and he moonlights as an special agent of the organization UGM fighting off monsters – which initially are all based on human weakness.

In time this was dropped (the school and his personal life are never mentioned again) and it became a very formulaic series. There was some innovation toward the end with the addition of the first female ultra – Ultrawoman Yulian – but mostly this was a by-the-numbers series.

That said, I loved this show. The main actor was extremely likeable, the simple stories well written, the special effects respectable (for their time) and the location shooting was, as always, charming. We’re in the 1980s now as well, and I personally loved hearing the first mention of video games in an ultra series! One episode is also based around being an excessive fan of a hobby, and when one character says “Being a man means giving your all to your hobbies” I nodded knowingly.

Also Ultraman 80 has not only the best theme song of any Ultra series, but one of the best TV theme songs ever recorded! Who wouldn’t be moved by a line like: ‘The man who came to us from a star will teach you about love and courage‘?

Ultra Galaxy Mega Monster Battle (2007, 12 hours)

This is a box set that include both series of Ultra Galaxy Mega Monster Battle and the cinematic sequel film.

The first season is a bonkers show about soldiers from the interstellar agency ZAP SPACY becoming stranded on Planet Boris were they meet and eventually befriend a mysterious dude named Rei who uses a ‘Battlenizer’ to catch and fight with monsters.

Oh and there’s virtually no Ultramen in it at all. At least not until (literally) the last few minutes.

This was a pay-per-view show in Japan, and was based on an IC card arcade game. It shows, and I can imagine children eagerly purchasing their own battlenizers from Japanese toy shops then collecting the cards in game centers!

Is this a good show? Of course not. But just as there is no bad Star Wars, there’s also no bad Ultraman, and I enjoyed the lunacy of the show and the fact it didn’t outstay it’s welcome.

I was very surprised by the second series where the now very powerful Rei is pursued by a series of aliens who want to destroy him and steal his power. It’s a lot more creative, with spectacular battles and a few more explicit nods to other Ultra series. Oh and the girls are prettier, which is always a plus 🙂

But the true gem of this set is the movie, which introduces two characters that have become integral to the Ultra franchise: Ultraman Zero and Ultraman Belial. The movie has little to do with Mega Monster Battle and instead tells an insane story of an evil Ultraman as he attempts to destroy the universe and is so strong that he can only be defeated by Zero, the son of Ultraseven. Tsuburaya spared no expense here and the battle scenes are spectacular and Zero himself is fantastic from his first appearance. The movie was a massive success when it was released in Japan in 2009 and rightly so!

Ultraman Zero Collection (2009, 6 hours)

This set contains a few miniseries and DVD specials all featuring Zero and a few of his companions.

Belial returns as ‘Kaiser Belial’ (and his design is breathtaking) and of course Zero has to power up to eventually defeat him. There’s giant mecha and pretty princesses and legions of evil robots even a hand-shaped spaceship big enough to crush a planet!

The stories are as insane as they sound but it’s all so fast paced and sparkly that it’s enormously entertaining. This is Ultraman junk food; as tasty as it is flashy!

Neo Ultra Q (2013, 12 episodes, 5 hours)

Ultra Q was a 1965 series that predated the original Ultraman, and is often described as a sort of Japanese ‘Twilight Zone’. I own it (and should probably have reviewed it in a previous post) and loved it so was looking forward to see this followup made almost 50 years afterwards.

First of all this has nothing to do with Ultraman in that it’s absolutely not for kids and there’s no guys in rubber suits fighting giant monsters. Instead this is about three people that investigate mysteries in a Japan that seems to exist in a world one or two dimensions away from ours.

People take monsters and aliens for granted, and very weird things happen in this show. Very rarely is anything fully explained, and as the show continues the director seems to deliberately up the weirdness factor while cutting back even more on explanations. Some episodes even seem to end prematurely, and since this includes the final one this is definitely a series that I think could have done with a sequel.

It’s beautifully written, acted and shot. The tone is dark and unusually pessimistic (for TV), and I got the impression that the creators knew they only had one season so went for it to make the most memorable thing they could. In my opinion they succeeded. Of all the shows I’m reviewing in these posts, this is probably the best one for a non-Ultra fan to watch. Highly recommended.

I’m not even close to done. I’ve already got four more box sets and two movie sets all ready to go, and first on the list is the 1979 animated series The Ultraman. Then it’s time to move into the now-classic mid 1990s Ultra series, as well as a few more recent shows including another one (like Neo Ultra Q) aimed squarely at adults.

Look for more reviews in a year or so!

Posted in History, Miscellaneous, Movies, Otaku, Retro, TV | Comments Closed

Pirates vs Robots!

Saturday, January 22nd, 2022

We recently watched all five Pirates Of The Caribbean and all five Transformers films in order. Both series were massive hits, spanned around the same time period (2003 – 2017) and made about the same total amount at the box office (about 5 billion). Let’s compare the series film-by-film!

The Curse of the Black Pearl vs Transformers

The first Pirates film holds up quite well, although seems weirdly subdued by today’s action-film standards. Johnny Depp is likeable enough as Captain Jack Sparrow, but only at a distance, and I wonder if the series would have served better riffing on the setting rather than the character. The other actors do a good job, and the film does a great job resurrecting the swashbuckling genre for a modern age. The special effects are ancient today, but still look good. Lots of fun even twenty years later.

Transformers is bombastic and frenetic but was such a massive hit that it led directly to the action-over-plot films of today. The robots looks great, even if the transformation sequences are needlessly complicated, but the human actors are superfluous and even at times repulsive (I’m looking at you Shia). The film is also obsessed with shots of the US military, to the point it becomes disturbingly like a recruitment film. A fun watch, but mostly forgettable.

Comparing the two, I’d say that Curse of The Black Pearl is easily the more entertaining.

Dead Mans Chest vs Revenge Of The Fallen

Pirates 2 is where the franchise really took sail. The filmmakers cleverly improved on every aspect of the original and raised the stakes in every way. The character of squidlike Davy Jones is one of the strongest the series ever had, and the decision to make this well-plotted story a two-parter, was a good one. Visually it’s extraordinary, and it still remains the best Pirates film.

By comparison, Transformers 2 is a mess. The characters (and human story) take even more of a backseat to mad robot action to the extent that the scenes with Shia Lebouf or (even worse) Megan Fox are so ridiculous you can almost hear the scriptwriters desperately trying to make their lines relevant. Of course the robots are still great – special mention to Devestator eating a pyramid – but it’s a mostly disposable film that failed to improve on the first.

Compared, Dead Mans Chest is easily the better of the two.

At Worlds End vs Dark Of The Moon

Pirates 3 wrapped up the story of 2, but cleverly introduced a few new twists and characters. The always watchable Geoffrey Rush returns as Barbossa, and a lot of screen time is given to the delightful Naomi Harris as Tia/Calypso. While not as sublime as the previous film, this is still a masterclass in Hollywood action movies and would have been a fitting end to the entire series.

Transformers 3 is where the series descends into madness. Leonard Nimoy plays Sentinel Prime, a villian that quotes Star Trek (I kid you not) as he tries to turn Earth into Cybertron. Shia Lebouf is back as Sam Witwicky, and he’s managed to get himself an even more irritating (and beautiful) girlfriend. It’s all lunacy, but the action scenes are so over the top (a gigantic transforming robot worm tunnels through buildings) it’s strangely watchable. This is where you start accepting that the scripts are trash and turn your mind off and enjoy the pretty images. It’s objectively a terrible film, but I enjoyed it nonetheless.

Once again, comparing the two I’d hand it to At World End.

On Stranger Tides vs Age Of Extinction

Pirates 4 is a misstep for the franchise. This is ‘the mermaid one’ and features the pirate Blackbeard as he (and a mostly new band of heroes) search for the fountain of youth. By this film Captain Jack has become a weird gibbering fool, and contributes so little to the plot I question his inclusion. Blackbeard steals every scene he’s in, so it’s puzzling how underutilized he (and his magical boat) is. This is a Pirates film that occurs almost entirely on land, and raises some difficult questions about the ‘Pirates universe’ that we still don’t have answers for. Still fun, but not as much as previous films.

Transformers 4 is so crazy it’s hard to believe it was made. It’s a bit of a series reboot, and the hero is now Marky Mark. The opening sequence where he finds a dormant Optimus Prime is subdued and works quite well but just when you think the filmmakers have decided to dial back a bit it goes off the rails with a nanomachine-based resurrected Megatron and then further off the rails with dinosaur transformers that could be millions of years old?!? There’s gaping plot holes aplenty, and lots of characters that don’t have any valid role in the film, but those shots of Optimus riding a T-Rex into battle whilst wielding a massive broadsword are cinematic gold. The best Transformers film yet.

For the first time I’d say that Age Of Extinction beats On Stranger Tides for entertainment value.

Dead Men Tell No Tales vs The Last Knight

Pirates 5 tells a tale of an undead pirate on a quest to defeat (guess who?) Captain Jack Sparrow. Of course our heroes devise a plan to prevent this, and it requires them to retrieve Poseidon’s trident?!? Yes apparently the god Poseidon exists in the Pirates universe (and he’s not even the first god in this film series), and you can imagine how bonkers this plot is to fit that in. The special effects are breathtaking and the visuals at times gorgeous, but this film is overly loaded with CGI and in some way feels fundamentally different from the previous ones. Props to the cute new girl, who we learn is Barbossa’s (yes he’s back) daughter, and the way this film ties up a few loose ends from previous films. But once again Depp is a weak link and overall the film fails to recapture past glories.

Transformers 5 is famously insane: this is the one where the filmmakers apparently thought gigantic intelligent transforming robots was too bland so they had to work in the entire Arthurian myth as well. It also weirdly retcons previous films (transformers fought in the World Wars?), has way too many characters, plot holes aplenty and by its end all but destroys the world. There are glimpses of greatness in this film, like the scene where Megatron negotiates the release of his goons, or (as always for this series) whenever Optimus is swinging a sword, but the action scenes overall are just stupidly over the top and the grim ending (and post credits sequel opening) leave a bad taste.

Two weak films then, each arguably the worst of their series. Comparing both, I’d give the slight edge to Dead Men Tell No Tales.

Overall then, by my reckoning in a battle of Pirates vs Robots it seems the Pirates win, and easily, with 4 victories to only 1.

And yet… there is a sixth Transformers film, and to the surprise of everyone it was genuinely great. Yes I speak of Bumblebee, the charming reboot with a story about Bumblebee arriving on Earth. Maybe I was just dazzled by Hailee Steinfeld, but I loved this film and would rate it above every Pirates film!

And there’s also apparently two more Pirates films in some level of development, and a seventh Transformers film (Rise Of The Beasts) has been filmed and is due for release next year. Maybe one day I’ll have to follow up this post with further critique 🙂

Posted in Miscellaneous, Movies | 1 Comment »

59 More Hours of Ultraman!

Thursday, June 3rd, 2021

I’ve been continuing with the Ultraman series, watching each as they have been released. Here’s an update with what I’ve seen since the last post.

Ultraman Taro (1973, 53 episodes 22.5 hours)

This was the first ultra-series made after I was born! As with all others, it tells the story of an alien superhero that possesses the body of an earthling to protect the planet against extraterrestrial threats. By now the format was established and the series had won the hearts of Japanese children, and as such most episodes featured a child-in-peril who is then saved by Ultraman Taro. Many kaiju return from earlier series, and overall the production quality felt higher than it was for Ultraman Ace.

Once again much of the series is shot outdoors and on location, and as with earlier series I loved seeing the ‘normal’ Japan of the early 1070s. I always enjoyed glimpses into peoples apartments, shops, tourist sites (even an unusual amusement park!) and restaurants. The fashions are great as well, as with most media created in the 1970s!

What made Taro particularly good was the frequent cameos by other Ultras. Not only does this series introduce Mother of Ultra, but Father of Ultra makes a few appearances as well. Better yet, all previous Ultramen (including Zoffy) feature more than once, and there’s a wonderful two-part episode that even features the original actors of the human hosts from all previous series. I imagine this was incredible special for parents watching the show with their kids back in 1973, seeing Shin Hayata and Dan Moroboshi returning to the series for cameos.

I enjoyed this series quite a bit, and can see why it’s one of the more beloved of the original Heisei-era Ultraman series.

Ultraman Ginga/Ginga S (2013, 27 episodes, 13.5 hours)

This is a strange series, since (more than any other Ultra series) it seems to exist in a world unconcerned by the goings-on. Hikari Raido awakens to the power of Ultraman Ginga, an Ultra ‘from the future’ and uses the power to defend the Earth from evil aliens. Except mostly he’s defending an abandoned school, which he randomly visited in episode 1 for nostalgic reasons. He has a few friends that assist him, but the lack of any concerted government response to the attacks from giant kaiju feels more unusual here than in other series. It’s extremely fast-paced as well, wrapping itself up in only 11 episodes. I wonder if even the creators felt the show lacked a bit of spark as they were making it?

The solution: a quickie sequel! Ultraman Ginga S came out the following year, and added a second new Ultraman to the show: Ultraman Victory. In almost every way he’s cooler than Ginga and the dynamic between the two (first jealousy, then brotherhood) works well as they battle off the evil Alien Chibull, who is trying to steal resources from Earth. Ginga S as a series works much better than Ginga, and the two followup movies wisely include both Ultramen. Ginga S also includes Japanese idol Moga Mogami in a guest role as an android named Mana, and she steals the scenes every time she turns up 🙂

Overall Ginga is a little weak, but Ginga S is great and redeems Ginga quite a bit.

Ultraman Geed (2017, 27 episodes, 11.5 hours)

This is a great series. Rika Asakura (played by a 16-year-old) is Ultraman Geed (pronounced ‘jeed’) who we eventually learn is the son of the evil Ultraman Belial. Through the usual hijinks, he lives in a teleporting base with an alien and a cute girl, and collectively the three fight off the efforts of Ultraman Belial to destroy the universe. It’s an absurd setup to be sure, but the show is so fast-paced and insane it doesn’t matter.

There’s lots to love here. Belial’s host is an author specializing in books about mysteries (such as lost cities, unexplained phenomena etc) and the actor plays the role very well. Riku’s got a childhood friend who pretends to sell insurance but is actually a space policewoman with an (extremely cool) android boss, and there’s some great episodes where she is jealous of the girl Riku is living with. But the best inclusion is an office worker who is the unwilling host of Ultraman Zero (historic nemesis of Belial and all-around badass Ultraman). This guy does the whole Clark Kent/Superman thing perfectly – down to the glasses – and his transformation into Zero is always grand. He’s not just a cameo either, and is in almost every episode (as is his family). They could have just as easily called this Ultraman Geed/Zero!

Geed has some insane transformations, especially once he assumes the powers of Ultraman King. Zero also goes through various levels of upgrades in this series, and the battles in the last few episodes (and the movies) feature all sorts of dazzling effects and special attacks. As a very recent series the kaiju suits are often breathtaking as well, and many times I wondered if they were all physical effects or enhanced with CG.

A truly wonderful Ultra series. Maybe it’s even better than Ultraman Orb 🙂

Ultraman R/B (2018, 25 episodes, 11.5 hours)

The followup series to Geed (yes they make a new one every year) features not one but two Ultramen! Brothers Katsumi and Isami are Ultraman R and B, who together must fight against the machinations of Aizentech president Makoto Aizen, who is using a dark alien power to turn himself into an evil Ultraman…

…except that doesn’t last long and mid-series we find that the true villian is extremely cute gothic princess Saki Mitsurugi, who wants to destroy the world and just may have the power to do it!

Without giving too much away there’s more to the story than I just described, and it’s got quite a few twists and turns to keep you guessing down to the very last episode. The two brothers start a bit irritating, but quickly endear themselves as they realize there’s strength in brotherhood, which they point out to each other (ie. the audience) almost every episode! The villians are great, but goth-girl Saki has such screen presence that you will almost completely forget the first-half villian as soon as she appears! This series has a lot of comedy as well, including the few (usual) comedy episodes some of which break the fourth wall as they joke with Ultra conventions.

Of course R/B eventually learn to individually power up and when that’s not enough they actually merge together to create Ultraman Reube. Even that’s not enough for the final boss, so Reube himself powers up via special crystals. It’s all bonkers and a means to sell toys to kids, but it gives me a laugh every time. In a great surprise the movie introduces an extremely unique new Ultra as well, but I can’t say more without spoiling it 😉

The effects are great, the story is interesting, and the characters likeable: another fun and enjoyable Ultra series.

So that’s another 60-odd hours down, but of course there’s loads more. I don’t even think I’m halfway through all the Ultra series that will eventually be released, and indeed I already have Ultraman Leo in my possession and Mega Monster Battle and Ultraman Zero Chronicles are soon to be released. Look for another set of reviews in a year or so 🙂

Oh yes that last pic? That’s from the upcoming film Shin Ultraman, which I’m looking forward to more than any other film. If it’s anywhere near as good as Shin Godzilla was, it promises to be something special indeed.

Posted in Miscellaneous, Movies, Otaku, Retro, TV | Comments Closed

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