Archive for the ‘Movies’ Category

Over 75 Hours Of Ultraman!

Tuesday, September 15th, 2020

Since the start of summer I’ve been watching a lot of Ultraman. This is because – to my delight – it’s finally all being released on Blu-Ray here in the USA. Naturally, I’ll buy and watch it all!

Return of Ultraman (1971, 51 episodes, 22 hours)

This was the third Ultra series, a followup from Ultraseven which had been such a success Tsuburaya somewhat reluctantly continued the show into a third series. This time a race car driver – Hideki Go – assumes the mantle of Ultraman Jack to save the world from the usual gallery of intergalactic, supernatural and extra dimensional threats.

It mostly follows the style set in the previous two series, with monster-of-the-week stories that are fun for kids but also very watchable by adults. Much of the success is the charm of Go himself, a very earnest hero that never quite manages to regain his humanity after being saved by Jack (when he dies). The show has some dark elements as well – a character is dragged behind a car to death! – as well as a horror ‘series’ of episodes that I bet thrilled Japanese kids in 1971!

I particularly loved the location episodes, which traveled all around Japan and gave me many ideas for future trips! The winter series that had characters running around in waist deep snow were mesmerizing!

Overall I really enjoyed this series. It wasn’t as good as Ultraseven (read my review here), but that’s an incredibly high bar and Return of Ultraman is still a great six-fi show.

Ultraman Ace (1972, 52 episodes, 22 hours)

By this, the fourth Ultra series, Tsuburaya knew they were into a good thing and in Ultraman Ace they began to develop what we know call the Ultra Universe. There had been brief cameos before, but in this series the new Ultra was often joined by his ‘brothers’ (Ultraman, Seven, Jack and Zoffy) and even – in memorable episodes – his father. Together they fought to protect earth from a weekly parade of giant beasts and villains. And they talk! In previous series the Ultras were almost entirely silent but here the talk to each other and its clear there’s a history and society beyond their appearances on Earth.

The series in some ways is a step back from Return of Ultraman. Despite an interesting twist of two hosts for Ace, neither had the charm of any of the previous hosts. And the ‘terrible monsters’ featured in the show we’re at times a bit too bizarre to be credible. Ace however is a dextrous and dangerous Ultra, and the fights were both more acrobatic and violent than the previous years.

Toward the ends it gets a bit too childish and even starts to include blatant promotions for Ultra toys (which had become big sellers in Japan), and I found the end a let down after the great final episodes of previous series. The weakest of the early series that I have watched.

Ultraman X (2015, 22 episodes + movie, 13.5 hours)

Jumping forward forty-three years and we have the 27th Ultra series! Mill Creek is releasing them in an unusual order, but since the different series are only loosely connected it’s not a big problem. I hope they go back and release the 5th through 26th series, especially the one made in Australia in 1992 (Ultraman: Towards the Future)!

I’ve seen quite a lot of recent tokusatsu (‘men in rubber suits’) series and this one adheres fairly well to the formula: lightweight but fun stories with lots of posturing and flashy effects during combat. X is a ‘digital’ Ultraman who lives in (basically) a cellphone and his host fuses not just with him but also with ‘spark dolls’ and monster ‘trading cards’ to form all sorts of variant forms for X. Mid combat upgrades and form changes are common, and this is taken to the extreme in the movie where he fuses with no less than five other Ultras to create a super-version of himself.

Suffice to say it’s absolutely bonkers and I loved every second. It was such a joy to finally be able to watch a subtitled recent Ultra series, but this exceeded my wildest expectations.

The cast is great too. Ultra’s host is an earnest and likeable just-out-of-teenager who works for Earth defense alongside a tsundere young woman of indeterminate age (who naturally I liked) and who is assisted by a stupidly peppy scientist played by a real-life idol that is constantly talking about how cute the Ultras are.

There’s insane levels of product placement and I’m sure the trading cards and swords and spark dolls used in the show are the actual ones you could buy in Japanese toy stores when the show ran. Rather than repulse me it just made me want to go back to Japan and start scooping up all the Ultra merchandise I see. Damn pandemic…

An awesome series. Watch it!

Ultraman Orb (25 episodes + spinoffs, 18 hours)

The 28th Ultra series is a doozy, and after watching I learned it’s one of the most beloved. It tells a mostly self-contained story of an Ultraman (Orb) who lost most of his powers and is stranded on earth with lost memories. His human form – Kurenai Gai – takes up with a sort of amateur X-Files group and usually ends up saving them from the usual rogues gallery.

At the same time his alien nemesis – Jugglus Juggler (yes you read that correctly) – is making things very difficult for him. A girl is involved, secrets are revealed and powers restored and it all comes to an extremely satisfying conclusion.

As I implied this is a monstrously good Ultra series. The three main characters (Gai, Juggler and Naomi) are all extremely likable and it’s remarkably well written for a tokusatsu merchandise vehicle! The effects – especially the CGI – are even better than in X and every time Orb learns a new form the reveal is magnificent. I loved this show!

Unfortunately the same can not be said for Ultraman Orb Origin Saga which tells the backstory of Gai and Juggler before they came to Earth. It’s not at all bad, but they aren’t yet the characters we loved in Orb and not as interesting.

The two movies though are great, especially Ultra Fight Orb that features some insane centuries-long training in a slow-time room so Orb can gain power to defeat the big bad. An idea stolen from Dragonball of course, but it works well.

Overall Orb is a truly great series, and I’m not surprised they brought Juggler back in the current (2020) Ultra series…

Over 75 hours of Ultraman so far (not including the 70+ hours I’ve watched during the last several years of the first three Ultra series) and I’m still going strong! I’m already six episodes into Ultraman Geed, have Ultraman Ginga arriving in the mail any day now and Ultraman R/B is released next month. Not to mention the new version of Ultra Q that is sitting next to me waiting to be watched, and the ‘coming soon’ second season of the (fantastic) Netflix animated Ultraman series!

I just hope they release it all before physical media dies completely! I can’t wait to have a bookshelf with over a thousand hours of Ultraman…

Bond Film Review (part 2)

Tuesday, June 30th, 2020

Fewer blog posts this month due to my summer course, but here’s the second half of the long-awaited twenty-word reviews of the first twenty (plus one!) Bond films. Enjoy…

Moonraker (1979)
With amazing set pieces but ropey effects, this is better than you remember. But the pigeon reaction shot is unforgivable…
Rating: 007 out of 10

For Your Eyes Only (1981)
The Bond girl is spicy, the car chase great and it has cool gadgets but it’s a little boring overall.
Rating: 006 out of 10

Octopussy (1983)
Bond oozes cool and the locations are pretty but the villains are weak and the story loses punch too early.
Rating: 006 out of 10

Never Say Never Again (1983)
The video game is insane and the villainess memorable but this is just an inferior remake saved by Connerys charm.
Rating: 007 out of 10

A View To A Kill (1985)
Bond is (too?) old but the action is solid and the villain amongst the best. The title song is incredible!
Rating: 008 out of 10

The Living Daylights (1987)
The villains are weak but Dalton is fascinating and the trip with the girl is scenic and romantic. Very watchable.
Rating: 009 out of 10

Licence To Kill (1989)
Personal revenge evolves into mad action as once again Dalton shows how he commanded the role. A great Bond film!
Rating: 009 out of 10

Goldeneye (1995)
The Brosnan era introduced truly insane action sequences and here they mostly work. Brosnan is charm and Xenia wickedly memorable.
Rating: 008 out of 10

Tomorrow Never Dies (1997)
Ludicrous action can’t defeat a boring villain, terrible plot and ho-hum Bond girl. Brosnan’s charm almost saves it from forgettability.
Rating: 005 out of 10

The World Is Not Enough (1999)
There’s a lot to dislike here, but a generous viewer may find enjoyment in the visuals and – as always – Brosnan.
Rating: 006 out of 10

Die Another Day (2002)
Everything about this – including Madonna – is insane and I almost feel sorry for Brosnan. The worst ever Bond film.
Rating: 004 out of 10

Of course the Bond films don’t end here, with four Daniel Craig films already out and a fifth on the way. But are they really Bond films? Check back in a decade or so when I review the next set of ten!

Troll Pop

Tuesday, June 16th, 2020

This is a troll:

They’re toys that have been around for decades and are beloved by almost everyone especially my brother. While he’s never actually said anything about them, I know he adores troll toys.

Something else he loves is the K-Pop band Red Velvet, shown here:

You can imagine how excited he must have been when he heard that these two things he loved had combined into one! Yes my friends, Red Velvet were ‘in’ the recent Trolls film:

I don’t doubt Bernard threw caution to the wind and ran to the cinema to see this film but since I loathe trolls and am ambivalent toward Red Velvet I barely gave the movie a thought. However a particular piece of licensing did catch my eye, and that was these Oreos:

Green-cream Oreos with glitter and popping candy?!? This is what it means to live in the 21st century!

So many cookies with delicious sugary cream. Don’t you just want to try one? You can even enjoy them in four different designs:

What are they like? In a word: heavenly. The slightly chemical taste of the cream is completely overridden by the astonishing experience of the poprocks and the thought that even though it’s not visible you’re eating glitter as well:

During lockdown I religiously bought a pack of these every two weeks and we wolfed them down like starving beasts. Alas they are now gone from our stores, another victim of corona. They’ll never be forgotten.

If you happen to find a pack on shelves in your area don’t hesitate to buy them. These are by a very wide margin the best Oreos ever, and highly recommended 🙂

Turn Off The Dark?

Wednesday, June 3rd, 2020

I think there’s a good chance we won’t go to the cinema at all this year, and if so that will probably be the first time this has happened since before I can remember.

Due to coronavirus our cinemas are closed and won’t be opening any time soon. Even were they to open there’s no movies of note being released for a few more months. And now we’re hearing that America (and the world’s) largest chain is bleeding cash and says there’s significant doubt it can remain in business.

Could the age-old experience of ‘going to the movies’ be another of the countless victims of coronavirus?

I always loved going to the cinema. Every time was an event as a child, and once I started earning my own (paper run) money a good deal of it went into seeing movies. In high school a girl I knew worked at Tower Cinemas and gave me free tickets which meant that one year (1988?) I saw almost every movie released. And then when the cinema opened in Charlestown within walking distance of our house (with a massive arcade next door!) I went and saw everything they screened that I was remotely interested in. Good times; good memories.

Kristin and I have seen countless movies at cinemas over the years, but in the last 5-10 years our frequency had notably decreased as we discovered and grew to love the drive in. Now we only go to see big ‘event’ films at cinemas – which seem to be only Star Wars or Marvel films these days.

Many films I once would have gone and seen at the cinema without hesitation now wait until we can stream them or buy on DVD (yes I still buy DVDs). It’s often more comfortable watching at home anyway: we have a massive TV, comfy recliners, cats in our laps and we don’t have to worry about the now-too-common sight of someone using a cellphone during the film!

The romance and attraction of the cinema seems to be generational as well: my students rarely go and seem quite content to watch new releases online. If cinemas close forever, maybe they’ll be missed only as much as the average person misses CDs?

Of course there’s still the drive-in, which I consider quite different from going to the cinema. Ours is open right now, but it’s showing older films that are already available streaming and the list of rules and restrictions is daunting enough that we haven’t seriously considered going. But in the months ahead if studios release some of the event films we may see them at the drive-in, assuming it remains open.

Unlike other corona effects – the lack of travel in particular – a ‘gap year’ (or two…) away from cinemas doesn’t particularly bother me. And even though I don’t wan’t cinemas to close completely, I don’t think I’ll be too bothered if they do.

Bond Film Reviews (part 1)

Wednesday, May 20th, 2020

Recently we watched the first twenty James Bond films. We watched them in order, almost one every day for a little over three weeks.

Of course we’ve seen them many, many times before (I even know some dialogue by heart) but it was fun watching them in the order they were released and seeing the connections between them.

While there’s no such thing as a bad James Bond film, some are better than others. Here’s part one of my twenty-word reviews of all twenty of them!

Dr. No (1962)
An iconic start with a good story and lovely scenic shots, but the villain is underutilized and the ending rushed.
Rating: 007 out of 10

From Russia With Love (1963)
Connery oozes confidence, the girl is charming, the gadgets are introduced and the story keeps your interest. Amongst the best.
Rating: 009 out of 10

Goldfinger (1964)
Good action scenes, elaborate sets and a memorable villain, but the girl is bland. Connery has become Bond by now.
Rating: 007 out of 10

Thunderball (1965)
Great underwater action and an iconic casino scene. Bond is fearless to the point of amused and Domino is cute.
Rating: 007 out of 10

You Only Live Twice (1967)
Casual racism notwithstanding; an enormously entertaining film. Highlights include wonderful period shots of 1960s-era Tokyo and an awesome villains lair.
Rating: 008 out of 10

On Her Majesty’s Secret Service (1969)
Lazenby shines in a film that keeps plot in focus while still delivering action and humour. The best Bond film.
Rating: 0010 out of 10

Diamonds Are Forever (1971)
‘Bond in America’ features a tired Connery in a strangely surreal story that hardly feels like Bond. Weakest so far.
Rating: 005 out of 10

Live And Let Die (1973)
A new Bond brings us a great villain, insane gadgets, more comedy, supernatural elements and the prettiest Bond girl yet!
Rating: 008 out of 10

The Man With The Golden Gun (1974)
Christopher Lee is fantastic but the film misses more than it hits and has some truly regrettable inclusions. Largely forgettable.
Rating: 006 out of 10

The Spy Who Loved Me (1977)
The precredit sequence is legendary and the theme song shines. Jaws, the underwater base and submarine car make this memorable.
Rating: 008 out of 10

A mostly good fifteen year run of films so far, but can the quality continue into the 1980s and 1990s? Stay tuned for part two…