Archive for the ‘Otaku’ Category

Chitocerium

Monday, September 6th, 2021

It’s time for a new model kit. I don’t often do posts about kits these days, but this one is unusual:

It’s a tiny cat kit! This is one of several kits in a new line called Chitocerium, which apparently means ‘the protectors of the gates between worlds’. Yes it’s silly, but the kits are cool.

This kit is small and inexpensive (about $10) and all the pieces fit in the palm of your hand. It’s an easy one to build, but sandpapering down the flash was a little tricky due to the tiny scale. This segment for instance was made from 5 different pieces:

About a quarter of the total pieces in the kits are tails! There’s 8 to choose from; which one would you pick:

It took me only about ten minutes to assemble, and is very small but can be posed in many familiar cat poses. It’s an extraordinary kit for its size. Here it is next to a LEGO minifig;

As the box suggests this comes in two colours, and the line also includes some extraordinary figure kits of android girls (one of which I have). Given that this is a line from a company (Good Smile) not necessarily known for plastic model kits, I’m impressed.

Let’s Trade Cards (Part 4)!

Friday, July 23rd, 2021

My bottomless stash of weird trading card packs has no end! Time for some more…

Anastasia (1998) was one of those animated films everyone saw and immediately forgot about. These cards are equally forgettable, and since they were always a staple in the discount sections of card shops (remember them?) I imagine they were massively overproduced and none too successful. The only chase of note were lenticular cards showing a scene from the film, but they were rarer than one per box.

Kristin actually bought me a box of Maverick (1994) cards for Christmas so I have a full set of them! I’ve never seen the film, and based on the images on the cards never want to. It’s another by-the-numbers boring movie card set, and the only chase cards (‘tekchrome’) are so similar to the normal cards they’re almost indistinguishable!

Country Classics cards (1992) are another curious relic from the days of ‘sounds like a great idea’ opportunism! Who bought these? I’m no expert on the topic but it seems to me that in ’92 many of these dudes were long in the tooth, so were these cards aimed at senior-citizen card collectors? Obviously they’re of no interest to me, but I can’t deny I wanted to pull the super rare (only two existed!) redemption cards that back in the day could be mailed in for a 24-carat solid gold card!

This is a good contender for the worst card set I’ve ever seen. In the great trash can of repulsive designs, far below the wacky packages and garbage pail kids, you’ll find this dross. Troll Force (1992) cards showcase horribly drawn ‘trolls’ (which don’t resemble any troll I’ve seen) with ‘comedy’ names doing ‘wacky’ things. They’re disturbingly amateur and utterly unappealing in every way. If you ever come into possession of a pack of these, just burn it.

Based on these Saved By The Bell: The College Years cards (1994) this TV series only had a few characters and they were all girls. It’s a stupid-boring set that reprints pseudo-glamour shots of the actresses with nothing of note on the back. In short, it doesn’t really have anything to do with the show (and I suspect it was made before the show screened). Another trash set hardly worth the cardboard.

There’s a box of beanie babies in our attic and I’ve already decided to do a blog post on them soon so stay tuned for that. These Beanie Baby cards (1988) on the other hand… are a total scam! They’re completely unofficial, and feature bad photos of the toys with meaningless statistics on the back. Beanie Babies were very much on the way out when these cards came out but I’m sure the screaming hordes of collectors bought these cards anyway. I reckon they’ve all ended up in landfills alongside the stuffed toys.

Yes there’s even more packs left to open, including one or two ‘good’ ones! I’ll get to them eventually…

Let’s Trade Cards (Part 3)!

Sunday, June 13th, 2021

It’s been a while, but it’s time for some more random packs of trading cards!

These Pocohontas cards (1995), obviously based on the Disney film, are somewhat bland, mostly due to the somewhat ugly style of the animation. The set contains a selection of impressive chase cards such as etched foils and lenticulars, but the only unusual card in my pack was a standee. This set was overproduced and whole boxes of them can be found for only a few dollars.

Occasionally you open an pack from decades ago and find that all the cards have stuck together, like in this pack of Power Rangers cards (1994). This is due to the inks becoming slightly adhesive over time, and essentially ruins the cards (you can see the damage on the creature card at the lower left). This is a by-the-numbers series with unremarkable but flashy ‘rainbow’ chase cards in every pack.

Desert Storm (1991) is a somewhat infamous series all about the first Gulf War. Several companies made card sets based on this topic, but Pro Set packs were most common. The cards are packed with info but it’s a massive set (300+ cards) that would have benefited from judicious editing. Entire boxes of this set are common as dirt and can be bought for as little as $2 (for dozens of packs) so the cards are basically worthless.

Now these are nice! Released in 1993, these San Diego Zoo cards feature lovely photos of animals with information on the back. They’re well made and would have been a nice set for younger collectors. The set had a few extremely rare (1 in 40 packs or fewer) hologram chase cards and a single (even rarer) ‘tekchrome’ card.

This is a weirdly ugly Hitchhikers Guide To The Galaxy set from 1994 is based on the book (not the TV show) and features bland original art that misses much more than it hits. I struggle to imagine the market for this series, which was released during the heyday of speculation and market saturation. As usual the hologram chase cards were too rare (one per box or so) and based on images I saw online weren’t much prettier than the basic cards.

Webkinz are stuffed animals that come with codes usable on an online site to ‘play’ with the toys online. In the mid 2000s four trading card sets were released, and as you can see they’re execrable. The are technically playable as a TCG though, so maybe I should buy a box and bring it to Oz so Adam and I can have a Webkinz tournament next time I visit?

After this bounty of dazzling packs you may think things couldn’t get any better… stay tuned 🙂

59 More Hours of Ultraman!

Thursday, June 3rd, 2021

I’ve been continuing with the Ultraman series, watching each as they have been released. Here’s an update with what I’ve seen since the last post.

Ultraman Taro (1973, 53 episodes 22.5 hours)

This was the first ultra-series made after I was born! As with all others, it tells the story of an alien superhero that possesses the body of an earthling to protect the planet against extraterrestrial threats. By now the format was established and the series had won the hearts of Japanese children, and as such most episodes featured a child-in-peril who is then saved by Ultraman Taro. Many kaiju return from earlier series, and overall the production quality felt higher than it was for Ultraman Ace.

Once again much of the series is shot outdoors and on location, and as with earlier series I loved seeing the ‘normal’ Japan of the early 1070s. I always enjoyed glimpses into peoples apartments, shops, tourist sites (even an unusual amusement park!) and restaurants. The fashions are great as well, as with most media created in the 1970s!

What made Taro particularly good was the frequent cameos by other Ultras. Not only does this series introduce Mother of Ultra, but Father of Ultra makes a few appearances as well. Better yet, all previous Ultramen (including Zoffy) feature more than once, and there’s a wonderful two-part episode that even features the original actors of the human hosts from all previous series. I imagine this was incredible special for parents watching the show with their kids back in 1973, seeing Shin Hayata and Dan Moroboshi returning to the series for cameos.

I enjoyed this series quite a bit, and can see why it’s one of the more beloved of the original Heisei-era Ultraman series.

Ultraman Ginga/Ginga S (2013, 27 episodes, 13.5 hours)

This is a strange series, since (more than any other Ultra series) it seems to exist in a world unconcerned by the goings-on. Hikari Raido awakens to the power of Ultraman Ginga, an Ultra ‘from the future’ and uses the power to defend the Earth from evil aliens. Except mostly he’s defending an abandoned school, which he randomly visited in episode 1 for nostalgic reasons. He has a few friends that assist him, but the lack of any concerted government response to the attacks from giant kaiju feels more unusual here than in other series.  It’s extremely fast-paced as well, wrapping itself up in only 11 episodes. I wonder if even the creators felt the show lacked a bit of spark as they were making it?

The solution: a quickie sequel! Ultraman Ginga S came out the following year, and added a second new Ultraman to the show: Ultraman Victory. In almost every way he’s cooler than Ginga and the dynamic between the two (first jealousy, then brotherhood) works well as they battle off the evil Alien Chibull, who is trying to steal resources from Earth. Ginga S as a series works much better than Ginga, and the two followup movies wisely include both Ultramen. Ginga S also includes Japanese idol Moga Mogami in a guest role as an android named Mana, and she steals the scenes every time she turns up 🙂

Overall Ginga is a little weak, but Ginga S is great and redeems Ginga quite a bit.

Ultraman Geed (2017, 27 episodes, 11.5 hours)

This is a great series. Rika Asakura (played by a 16-year-old) is Ultraman Geed (pronounced ‘jeed’) who we eventually learn is the son of the evil Ultraman Belial. Through the usual hijinks, he lives in a teleporting base with an alien and a cute girl, and collectively the three fight off the efforts of Ultraman Belial to destroy the universe. It’s an absurd setup to be sure, but the show is so fast-paced and insane it doesn’t matter.

There’s lots to love here. Belial’s host is an author specializing in books about mysteries (such as lost cities, unexplained phenomena etc) and the actor plays the role very well. Riku’s got a childhood friend who pretends to sell insurance but is actually a space policewoman with an (extremely cool) android boss, and there’s some great episodes where she is jealous of the girl Riku is living with. But the best inclusion is an office worker who is the unwilling host of Ultraman Zero (historic nemesis of Belial and all-around badass Ultraman). This guy does the whole Clark Kent/Superman thing perfectly – down to the glasses – and his transformation into Zero is always grand. He’s not just a cameo either, and is in almost every episode (as is his family). They could have just as easily called this Ultraman Geed/Zero!

Geed has some insane transformations, especially once he assumes the powers of Ultraman King. Zero also goes through various levels of upgrades in this series, and the battles in the last few episodes (and the movies) feature all sorts of dazzling effects and special attacks. As a very recent series the kaiju suits are often breathtaking as well, and many times I wondered if they were all physical effects or enhanced with CG.

A truly wonderful Ultra series. Maybe it’s even better than Ultraman Orb 🙂

Ultraman R/B (2018, 25 episodes, 11.5 hours)

The followup series to Geed (yes they make a new one every year) features not one but two Ultramen! Brothers Katsumi and Isami are Ultraman R and B, who together must fight against the machinations of Aizentech president Makoto Aizen, who is using a dark alien power to turn himself into an evil Ultraman…

…except that doesn’t last long and mid-series we find that the true villian is extremely cute gothic princess Saki Mitsurugi, who wants to destroy the world and just may have the power to do it!

Without giving too much away there’s more to the story than I just described, and it’s got quite a few twists and turns to keep you guessing down to the very last episode. The two brothers start a bit irritating, but quickly endear themselves as they realize there’s strength in brotherhood, which they point out to each other (ie. the audience) almost every episode! The villians are great, but goth-girl Saki has such screen presence that you will almost completely forget the first-half villian as soon as she appears! This series has a lot of comedy as well, including the few (usual) comedy episodes some of which break the fourth wall as they joke with Ultra conventions.

Of course R/B eventually learn to individually power up and when that’s not enough they actually merge together to create Ultraman Reube. Even that’s not enough for the final boss, so Reube himself powers up via special crystals. It’s all bonkers and a means to sell toys to kids, but it gives me a laugh every time. In a great surprise the movie introduces an extremely unique new Ultra as well, but I can’t say more without spoiling it 😉

The effects are great, the story is interesting, and the characters likeable: another fun and enjoyable Ultra series.

So that’s another 60-odd hours down, but of course there’s loads more. I don’t even think I’m halfway through all the Ultra series that will eventually be released, and indeed I already have Ultraman Leo in my possession and Mega Monster Battle and Ultraman Zero Chronicles are soon to be released. Look for another set of reviews in a year or so 🙂

Oh yes that last pic? That’s from the upcoming film Shin Ultraman, which I’m looking forward to more than any other film. If it’s anywhere near as good as Shin Godzilla was, it promises to be something special indeed.

Berserker

Thursday, May 20th, 2021

Kentaro Miura, artist and writer, has died. He is world famous for Berserk, one of the greatest manga series of all time. He was only 54.

Miura was a master of both storytelling and art and through the 40 volumes of Berserk created an original and compelling fantasy saga that hooked millions of readers worldwide. It has spawned novels and films and anime series, and inspired countless other properties from manga to movies to video games. Berserk is currently still being serialized, and the story is unfinished.

As a lifelong fan of fantasy worlds Berserk grabbed me from the first moment I watched the first anime (which was released in the USA before the manga was translated). In time I would eventually own all the manga and various anime/movie series and I loved all of it. Much manga is disposable, forgotten about almost as soon as you close the book. Berserk is the very opposite – a work of importance that transcends it’s medium.

I don’t know much about Miura himself since he hid from the public eye and rarely gave interviews, and when he did he didn’t talk much about himself. But I’ve read him refer to himself as a massive otaku, and a manga fan from a very early age. He was apparently somewhat of a hikikomori as well (a shut-in) and enjoyed video games and reading other manga. The creation of Berserk was his life: he started in 1989 and rarely worked on anything else. Despite its length it’s clear the story was very considered and planned in advance, and I don’t doubt he had an ending in mind. In 2019 he said in an interview that the Guts and Casca arc ‘was over’ and that ‘the story is nearing it’s final chapter’, which would presumably have been the decades-long-awaited final confrontation between Guts and Griffith.

And now we may never see that happen, and I’m ok with that. Miura crafted a world so intricate and real that maybe it’s left to us – his readers – to imagine our own endings. Or perhaps we can imagine that it never ends, and the story continues forever, as Muira’s magnum opus will.

Rest in peace Kentaro Miura.