Category: Otaku

It’s Dangerous To Go Alone

August 22, 2025

Today I went to AnimeNYC, a large anime convention held in the city. Apparently they’re expecting over 100,000 attendees this year, about 40,000 people a day for the three (full) day event.

It was held at the Javits Center, which I hadn’t been to since New York Comic Con back in 2015! I bought a one-day ticket for the con at the last minute, since I wanted to do something fun to end my summer break. I didn’t know what to expect since I’d never actually attended an anime-specific convention.

In short: it was amazing. I was immediately surprised by the size, the density and variety of exhibitors and artists, and the range of things being shown or sold. My original plan was to go to the two principle panels today (the new Panty & Stocking and Star Wars Visions III) and also visit every booth but I quickly realized that wasn’t going to be possible and in fact got so engrossed by seeing all the booths I forgot about the panels.

Most of the exhibitors were stores, and there were hundreds of them. The most common type was figure shops, and most of these specialized in prize figures at very reasonable prices.

These were very popular, and I’d suspect a large percentage of the attendees left with a figure or two (me included). Some of the stores also sold scale figures, including some very expensive ones (>$500). Shops selling model kits were common as well, although they tended to be extremely Gundam-focused.

Manga was common, in both publisher booths and bookstore booths. Amusingly – considering this is an anime convention – there was very little actual physical anime for sale, probably because most watchers stream it these days.

I was surprised by the cosplay weapon stores. Several companies were present, and you could buy an amazing variety of guns and swords and magic staves and other items to help with your cosplay. How many of the above guns do you recognize? I chuckled when I saw one of the shops was sold out of Frieren’s staff, since Frieren was one of the more popular cosplays I saw today:

There were many other shop types such as soundtracks (including vinyl), T-shirts and other clothes, dice, keyboards, plushies, pins, jewelery and even whatever this is:

Of course it wasn’t all shops. As soon as you entered the venue a massive Hololive ‘stage’ towered over the crowd, and it seemed for the entire convention the girls (and guys) of Hololive entertained and interacted with a large and boisterous crowd. I knew Hololive was popular, but this opened my eyes as to exactly how much. It was also interesting that this seemed to be the Japanese Hololive girls, at least every time I walked past.

Several anime companies and mobile games had big booths as well, and the most popular was for a new game called Brown Dust II, which drew a big crowd taking photos of their professional cosplayers:

There were several Japan travel booths – one of which I got a few tips from – but perhaps the most unexpected interaction I had today was when a guy from Heritage Auctions urged me to contact him with details about our anime cel collection since he may be interested in selling it on consignment!

And then there was artists alley, which is hundreds of small tables featuring amateurs selling their own art. This for me was the highlight of the show, since I was blown away by the talent. Almost all of them sell posters, but postcards, mini prints, acrylics, charms and all manner of other items were common as well.

Back in our NYCC days artists alley were tables with laser printed A4 posters, but now these ‘amateurs’ even sell woven blankets, acrylic stands and even resin statues! And the posters themselves now include effects like texturing and all sorts of foil effects! Such as on this gold foil embossed postcard I bought from one artist:

I bought more postcards than anything else – maybe 20 in total. I would have liked a poster or two, but I had no poster tube and the choice was so big and quality so high I would have had difficulty choosing.

It was very busy. Crowds were dense and the going was at times slow, made slower by the need to always keep an eye out for a cosplay weapon almost (accidentally) hitting you as the wonder walked by! Some booths were very popular and had lengthy lines, and in a couple of cases (Good Smile, Nikke) this prevented me from getting a good look. After about three hours I was tired and overburdened – I’d made the fools error of buying heavy books early – and found a quiet corner to eat my $29 lunch. It was better than I expected, and I enjoyed it while the girl in Miku cosplay sitting next to me detached her pigtails to brush the frizz out of them.

After lunch I made a brief trip to my hotel to empty my bags before immediately returning to the con. It was just after 1 pm by now, and the crowds had multiplied. But I was motivated and soldiered on, and around 4 pm – six hours after the door had opened – I had visited every booth.

And then I discovered the lower level!

I’d walked past these escalators many times, but I didn’t know there was a ‘gaming and community hall’ on the lower level. I went down for a look and quickly decided to pretend I’d never seen it and returned to the main hall. I think the gaming and community hall was mostly dedicated to fan booths related to video/computer/TRPG games as well as various anime or gaming clubs, but it was also quite large and I saw a few professional-looking booths so maybe there was something worth seeing? I’ll never know 🙂

I’ll also add I all but completely ignored the large autograph section, most of whom were either US voice actors or Japanese creators that required a lottery-won ticket to get an autograph from! I wandered close enough to read one price list, which was $70 for a simple autograph from a voice actress I’d never heard of before.

I then spent another couple of hours speedrunning a second pass of all the booths, including a few I’d missed the first time. I bought some more stuff, saw even more impressive cosplay, but eventually was so exhausted it was time to leave. I’d lasted about eight hours since the doors had opened, which I think means I got my moneys worth!

I had a great time – much more than I expected to be honest – and almost wish I could return tomorrow. It was a very full day, and this post only scrapes the surface of what I saw and did. For instance I didn’t mention this:

Or when a vtuber tried to interview me, or when the girl I bought a postcard from couldn’t speak English (she was Korean), or how I used my roguish charm to bag a couple of freebies. Or a dozen other events I’ve forgotten since I’m so tired right now.

I’ll probably follow up in a few days with my haul. I didn’t buy that much, but I think I got a few items you may like to see.

30 Minutes Fantasy

July 8, 2025

Bandai has a new series of model kits out called ’30 Minutes Fantasy’. They are inexpensive, fantasy-themed, and they don’t take long to assemble. But the big gimmick is they are modular, and can be modified to create different fantasy-themed character classes.

I bought the above in Japan, and (for a model kit) it was very cheap at only ¥2100. As you can see it’s a knight, and part of the ‘Liber’ nation. I believe these are the good guys, with the other nation (‘Rosen’) being the bad ones. There’s an elaborate story behind the series, involving a ruined Earth and mechs using elemental magic and it wouldn’t surprise me at all if an RPG is being developed.

The lore goes deep with elements and jobs (the Japanese term for ‘classes’) and as you can see this knight is a starter class, at rank I. But it’s still a class, and much like any other RPG there’s a level below, in this case called a ‘silhouette’. Assembly of the kit begins with making the silhouette.

There’s a lot of runners for such a cheap kit! If you’ve made any humanoid model kits before you’ll notice how much simpler this one is, including no ‘under gate’ pieces and the lack of stickers or decals. I’ve made loads of kits, and I’m here to say that yes, the silhouette did indeed take me under 30 minutes:

In D&D parlance, the above is the ‘level 0’ equivalent character. The peasant that hasn’t adventured yet. The young man or woman about to join the army (fighter) or enroll in the magic academy (mage) or dedicate themselves to a pious life in the local religion (priest). Of course the big difference is this is a mech, but you get the idea.

For such a simple kit it’s very posable, and of course there are several different hands depending on what you want to do with it. But it’s also fairly generic, which is unsurprising since it’s the basis of all other classes. So let’s change its job!

Since I bought the knight kit, it came with the knight armor, and as you can see from the above pic the first step is to remove a handful of parts from the silhouette build. You then go through about 10 minutes of further assembly attaching the knight armor, until it looks like this:

It looks great for such an inexpensive and easy-to-build model kit! I don’t paint my models, and I feel this guy looks good enough without it. It’s very posable and holds the sword/shield well.

You can also see it’s got some obvious holes and slots as well. In Japan I saw impressively assembled and painted examples that had gems in a few of these empty holes, but I’m not sure if that was a custom job or if you can buy the gem pieces. Regardless, the holes are there for upgrades into higher level classes, such as these two shown in the instructions:

The advanced class armors are available in upgrade kits (for under $10) and once you own a silhouette you can change it into as many classes as you buy upgrades for. There seems to be about a dozen available now, and knowing Bandai many more are on their way. I don’t think I’m going to get many of these, but I’m impressed with what I’ve seen based on this knight I’ve made.

And I’ve also got this bishop kit, which is another silhouette with two (Class I and II) upgrades included 🙂

84 More Hours Of Ultraman

May 15, 2025

In my many prior review posts I had watched over 420 hours of Ultraman series. With this installment I’ve now watched every series I own and am now completely up to date with translated Ultraman. Or am I…

Ultraman Max (2005, 39 episodes, 16.5 hours)

After the unusual Ultraman Nexus, the series returned to the familiar format of an Ultraman helping to defend Earth against kaiju and alien threats. The weakest part of this show was the main actor, who I felt had low charisma, at least in the earlier episodes of the series. Thankfully the supporting cast was strong, especially robot-girl Elly, who stole every scene she was in. Actors from older Ultra-series also make appearances, and while they play different characters their presence suggests the world the show is set in may be somehow linked to ones we are familiar with.

About halfway through the show took a notable twist and the writing became tighter and took more risks. This led to some wonderful episodes, such as a very fourth-wall-breaking one about the Ultraman Max scriptwriter, and a few genuinely horrific episodes that I feel took inspiration from The X-Files. The last two episodes were magnificent, and ended the show perfectly. It started a bit weak, but I look back on Max with fondness.

The Ultraman (1979, 25 hours)

This was the first animated Ultraman series and is very much a product of its era. It is set on a future Earth where space travel and alien attacks aren’t unusual and the appearance of an Ultraman (retcon named ‘Joneus’) is taken for granted by the characters. The usual 1970s anime TV hijinks follow, including paper-thin plots, occasional inclusion of various -isms and reused animation. I watched much of this while doing other things, since to be honest it’s very slow by today’s standards. Fun fact: this is now canon, Joneus is one of the strongest Ultras, and his live-action appearance harkens back to the anime:

I’ll mention here that I own – but haven’t yet watched – another animated series called Ultraman Kids.

Ultraman Arc (2024, 12.5 hours)

This was the first series I watched live as it was simulcast on YouTube. Much like Blazar before it, Arc is not an M78 Ultra but instead a being of light sent to Earth to avert a disaster caused by his home planet. I liked the actor who played Arc’s host, as well as another guy who worked for the government, but overall I felt Arc’s basic setup a bit weak and the remainder of the crew a bit forgettable.

Despite this the series had some extraordinary episodes, including one that dealt with lost love and another (somewhat remake of an Ultraman Cosmos episode) about a hikikomori communicating with an alien. There was also a nice Blazar cameo, and the final episodes wrapped the story up nicely. Was it better than Blazar? Maybe.

Ultraman Mebius (2006, 50 episodes + 4 specials, 30 hours)

This was the 40 year anniversary series of Ultraman and immersed itself with nostalgia. As the last existent series I would watch I had high hopes, and wasn’t disappointed!

This series tells the story of Mebius, an Ultra sent to Earth to complete his training. It’s one of the very rare series where the Ultra doesn’t have a host – instead he takes a human form (named Mirai in this case). He joins an earth defense group names Guys and helps to save the planet from monsters and aliens.

Unusually, about halfway through the series his teammates learn he is Ultraman Mebius. But the surprises don’t stop, because from that point on the show became a celebration of the history of Ultraman. Episode after episode a total of ten old Showa-era ultras in the show (including Astra and Yulian) make cameos and they are all crafted with love and respect. My favourite was probably the ‘school reunion’ Ultraman 80 episode, which I’ll admit brought a tear to my eye (80’s host was a school teacher).

Mirai was one of the most charismatic Ultraman actors, and played the alien-in-human-form role well. The Guys crew was equally likeable, especially their mysterious captain who had a wonderful moment in the epic finale. I loved this show from beginning to end, and it’s easily in my top five Ultra series, maybe even top three!

In addition to these four I’ve also watched a couple of average films (Ultraman Blazar, Ultraman Trigger), one fantastic film (Ultraman Mebius) and this year’s bonkers YouTube anthology series, which interestingly focused on Ultraman Z.

In addition the 2025 series – Ultraman Omega – has been announced and will start in a couple of months, and of course I’ll be watching that one live:

While there’s no word yet on the two ‘forgotten’ Ultra series made in Australia (Toward The Future) and the USA (The Ultimate Hero) ever being released on DVD, I’ll remain optimistic. Until they do though, I’ve now watched it all: over 500 hours of Ultraman series spanning nearly 60 years! That’s an accomplishment worthy of pride 🙂

Robot Claw