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Retro Wax Packs (Part 1)

Sunday, April 10th, 2022

In the 1970s and 80s, trading cards were packaged in waxed paper that was folded and heat-sealed. The term for such packaging is ‘wax packs’ and generally refers these days to any package of trading cards sold before 1991 (when the last wax pack was used). Importantly to me, all the cards of my youth were sold in wax packs, so these are very nostalgic for me.

Recently I bought a bunch of unopened wax packs from the 1980s, and over the next month or so I’m going to open and blog them all. Let’s start!

Robot Wars (Fleer, 1985)

This is a set of game cards, cashing in on transformers and scratch-off lottery tickets, and conceptually similar to the Super Mario and Zelda cards I have previously blogged.

The pack contains three game cards that no longer work since the scratch-off material has solidified (and I mean solidified; it’s like obsidian)! I expect children would have enjoyed these back in the day though. There’s also a sticker in the pack, but it’s in less-than-perfect condition due to a quirk of wax packs – the gum:

Almost every wax pack – and certainly all of them targeted at kids – contained a stick of gum. Over the 35+ years the gum has at worst become brittle and cracked to pieces or at worst become greasy and moldy. In most cases it’s just a solid inedible stick that has cemented itself to the card it was adjacent to. Removing it usually causes damage, as you can see above.

Incidentally there’s an internet rumour that this ancient gum has become poisonous and dangerous to eat. This is nonsense: it’s mostly just distasteful or extremely bitter. I’ve eaten some before, and I learned then never to eat it again 🙂

What about the ‘win a robot’ contest? Well it was a write-in, as detailed above. I wonder if anyone actually did this and won, and if so what happened to the robot?

Superman III (Topps, 1983)

This is the one with Richard Prior, and definitely not one of the better Superman flicks. But Topps, which had enjoyed in the years before massive success with the Star Wars cards, followed their formula and made a great set here.

The cards are nicely designed with good printing and a lot of action scene for the kids (from a film with a lot of ‘boring’ comedy scenes). The backs are nicely written too:

In addition the pack includes the usual sticker, and these were the days when Topps die-cut their stickers, which from a kid point of view made them just that bit better:

The gum in this pack hadn’t stuck as much to the card, and the pack itself was very easy to open, so I can show just what one of these wrappers looked like unsealed:

Unsurprisingly the wrappers themselves are collectible, and some of the rarer ones are worth big bucks these days in good condition.

Robocop 2 (Topps 1990)

We’re close to the end of the wax pack era, since 1990 was when Topps both moved to plastic and abandoned the gum. We’re also more than ten years after the first Star Wars set, but Topps was still following their standard formula here with Robocop 2:

The eagle-eyed amongst you will note scenes from the first film amongst these cards, and this is explained on the back with a little comment that the set ‘Includes highlights from Robocop’s first adventure‘.

Ah, the 1980’s, where companies didn’t think twice about releasing trading cards for kids based on ultra-violent R-rated films 🙂

Cyndi Lauper (Topps, 1985)

In 1985 Cynthia Lauper was 32 years old and at the peak of her fame. I wonder what it was like for her to open a pack of trading cards all about herself?

The cards themselves are just ok, with underwhelming photos and the usual Smash Hits level factoids on the back. For fans though, I expect these were a real treat.

The stickers are die-cut but a bit ugly (or maybe just very 1980s). That said I’d still love to stick one on a postcard now, but I know from experience that if you peel a 35+ year old Topps sticker off the backing it’ll never restick! As with most sets of that era the backs of the stickers can be used to form a large picture: a nice use for the card even if you remove the sticker.

The gum in here was very unusual. This is the first time I’ve seen a wrapped piece of gum in a wax pack, and it was branded as well! I’ve included the joke from the wrapper to give you a belly laugh…

Indiana Jones (Topps, 1984)

While generically named, these cards are based on Indiana Jones & The Temple Of Doom, the second film in the series. This is the only pack I’m showing here today that I remember buying as a kid. And just as I’m sure I did then, I’m very impressed with these now.

The cards are wonderfully designed with great stills and the adventure style font compliments the pictures well. The backs all describe the action and preview the name of the next card (once again following the formula they perfected with the Star Wars sets):

Back in our Australian youth we often got the cards before the films, so almost everything in the movie was ‘spoiled’ for us. But it didn’t matter, and in some ways made the films even better since we were seeing the pics from the cards in motion. And afterwards, in an era without internet or video, our cards were a convenient way to relive the movies.

I bought two packs of these cards (and they weren’t cheap at $8 each, but unopened packs from Raiders are much harder to find and often more expensive) and in my second pack got the title card shown above.

The stickers from this set are amazing and once again I wish they still worked. I wonder what I did with the ones I got as a kid? The picture you can assemble from the sticker backs is shown at the right: and as a child if I collected the cards I would have made this and glued (yes glued) the cards onto cardboard to turn them into a sort of mini-poster!

What do you think of these sets? As I said there’ll be more in future weeks. I wonder what other treasures I managed to get my hands on…?

Posted in Blog, Celebrity, Collecting, History, Miscellaneous, Movies, Music, Otaku, Retro, Time, Trading Cards | 3 Comments »

75 More Hours Of Ultraman!

Tuesday, April 5th, 2022

It’s time for another update in my (endless?) watching of all the Ultraman series! As with before, I’ve watched a mixture of older and new series since the last update.

Ultraman Leo (1975, 51 episodes 21.6 hours)

By the mid 1970s the Ultraman franchise was almost 10 years old, had been airing continuously on Japanese TV, and was expanding into other markets. To keep itself fresh it kept reinventing, and Ultraman Leo – the 7th series – was quite unique compared to its forbears.

For starters Ultraman Leo himself was not from the same planet as the other Ultramen, and transformed via a ring and not due to any inherent power. He had a brother, and at the start of the series while he was undeniably superheroic, he was still inexperienced and had to learn from a mentor. This mentor was none other than Dan Moroboshi, the human form of Ultraseven, who could no longer transform due to an injury.

Almost every episode of the series follows a similar format: Leo fights a monster but lacks the power to defeat it, then goes away and trains, then at the end achieves victory via a new ability or power. The show is heavily inspired by kung fu movies of the era, and the training sessions and unstoppable determination of the main character can at times be alarming.

And yet Gen – the human form of Leo – is a charismatic sort and it doesn’t take many episodes before the show grabbed me. It didn’t hurt that the show was notably more adult than Taro – perhaps by now Tsuburaya was actively catering to their aging fans?

Toward the end the plot makes a sharp left turn, killing off almost the entire cast in the first few minutes of an episode and essentially rebooting itself with no warning. But it ends well, and when Gen removes his ring to spend the rest of his days exploring his ‘new home’ (Earth) the audience, having seen what he’s gone through, can only wish him the best.

Ultraman 80 (1980, 50 episodes, 20.4 hours)

A couple of years passed before the next Ultra series, and in that time the world got Star Wars and science fiction storytelling changed overnight. Except for the Ultra series, since Ultraman 80 – a new series for a new decade – was in many ways a return to form after the experimental storytelling of Leo.

The setup is familiar: an Ultraman (called ’80’!) lives in human form on earth, protecting the world from the threat of aliens and giant monsters. The series begins with an interesting premise: Takeshi (the human form of 80) is a teacher at a school and he moonlights as an special agent of the organization UGM fighting off monsters – which initially are all based on human weakness.

In time this was dropped (the school and his personal life are never mentioned again) and it became a very formulaic series. There was some innovation toward the end with the addition of the first female ultra – Ultrawoman Yulian – but mostly this was a by-the-numbers series.

That said, I loved this show. The main actor was extremely likeable, the simple stories well written, the special effects respectable (for their time) and the location shooting was, as always, charming. We’re in the 1980s now as well, and I personally loved hearing the first mention of video games in an ultra series! One episode is also based around being an excessive fan of a hobby, and when one character says “Being a man means giving your all to your hobbies” I nodded knowingly.

Also Ultraman 80 has not only the best theme song of any Ultra series, but one of the best TV theme songs ever recorded! Who wouldn’t be moved by a line like: ‘The man who came to us from a star will teach you about love and courage‘?

Ultra Galaxy Mega Monster Battle (2007, 12 hours)

This is a box set that include both series of Ultra Galaxy Mega Monster Battle and the cinematic sequel film.

The first season is a bonkers show about soldiers from the interstellar agency ZAP SPACY becoming stranded on Planet Boris were they meet and eventually befriend a mysterious dude named Rei who uses a ‘Battlenizer’ to catch and fight with monsters.

Oh and there’s virtually no Ultramen in it at all. At least not until (literally) the last few minutes.

This was a pay-per-view show in Japan, and was based on an IC card arcade game. It shows, and I can imagine children eagerly purchasing their own battlenizers from Japanese toy shops then collecting the cards in game centers!

Is this a good show? Of course not. But just as there is no bad Star Wars, there’s also no bad Ultraman, and I enjoyed the lunacy of the show and the fact it didn’t outstay it’s welcome.

I was very surprised by the second series where the now very powerful Rei is pursued by a series of aliens who want to destroy him and steal his power. It’s a lot more creative, with spectacular battles and a few more explicit nods to other Ultra series. Oh and the girls are prettier, which is always a plus 🙂

But the true gem of this set is the movie, which introduces two characters that have become integral to the Ultra franchise: Ultraman Zero and Ultraman Belial. The movie has little to do with Mega Monster Battle and instead tells an insane story of an evil Ultraman as he attempts to destroy the universe and is so strong that he can only be defeated by Zero, the son of Ultraseven. Tsuburaya spared no expense here and the battle scenes are spectacular and Zero himself is fantastic from his first appearance. The movie was a massive success when it was released in Japan in 2009 and rightly so!

Ultraman Zero Collection (2009, 6 hours)

This set contains a few miniseries and DVD specials all featuring Zero and a few of his companions.

Belial returns as ‘Kaiser Belial’ (and his design is breathtaking) and of course Zero has to power up to eventually defeat him. There’s giant mecha and pretty princesses and legions of evil robots even a hand-shaped spaceship big enough to crush a planet!

The stories are as insane as they sound but it’s all so fast paced and sparkly that it’s enormously entertaining. This is Ultraman junk food; as tasty as it is flashy!

Neo Ultra Q (2013, 12 episodes, 5 hours)

Ultra Q was a 1965 series that predated the original Ultraman, and is often described as a sort of Japanese ‘Twilight Zone’. I own it (and should probably have reviewed it in a previous post) and loved it so was looking forward to see this followup made almost 50 years afterwards.

First of all this has nothing to do with Ultraman in that it’s absolutely not for kids and there’s no guys in rubber suits fighting giant monsters. Instead this is about three people that investigate mysteries in a Japan that seems to exist in a world one or two dimensions away from ours.

People take monsters and aliens for granted, and very weird things happen in this show. Very rarely is anything fully explained, and as the show continues the director seems to deliberately up the weirdness factor while cutting back even more on explanations. Some episodes even seem to end prematurely, and since this includes the final one this is definitely a series that I think could have done with a sequel.

It’s beautifully written, acted and shot. The tone is dark and unusually pessimistic (for TV), and I got the impression that the creators knew they only had one season so went for it to make the most memorable thing they could. In my opinion they succeeded. Of all the shows I’m reviewing in these posts, this is probably the best one for a non-Ultra fan to watch. Highly recommended.

I’m not even close to done. I’ve already got four more box sets and two movie sets all ready to go, and first on the list is the 1979 animated series The Ultraman. Then it’s time to move into the now-classic mid 1990s Ultra series, as well as a few more recent shows including another one (like Neo Ultra Q) aimed squarely at adults.

Look for more reviews in a year or so!

Posted in History, Miscellaneous, Movies, Otaku, Retro, TV | Comments Closed

The Land Collection

Sunday, March 13th, 2022

In the card game Magic: The Gathering (MTG) land cards provide the resources to play other cards. They’re ubiquitous and in the eyes of many players, boring. They are like the batteries in the toy: essential but often taken for granted.

The simplest type of land is called ‘basic land’. There are five of them – one for each colour – and they’ve been around since MTG launched back in 1993. And since I got back into Magic about 15 years ago I’ve collected them!

Its always been an informal collection: I just liked the art on them and made a point to keep one of each aside. In time I put them in a binder, and started seeking one ones I didn’t yet have. Over the years the binder grew and grew until it got almost too heavy to pick up, and a change was needed. These past few weeks I’ve sorted all my lands, sleeved and boxed them and had a good look at them all. This post shows off some of the collection.

The above are examples of some of the oldest and newest land cards I have. On the left we have a ‘beta’ card from 1993 and on the right an example from the latest set Kamigawa: Neon Destiny. It’s obvious how the design has updated on the nearly 30 years between them, but it’s notable that these two cards are identical as far as gameplay is concerned.

The above shows the progression of design of a Forest land from 1993 until 2020. You can see the various phases the basic design transitioned through, including the removal of the text describing how to use the card, which occurred relatively early on in the history of the game.

Here we have an assortment of promotional cards, most of which are foiled so they shine with a rainbow effect. These cards are obtained via in-store promotions or by attending events or – as with most of these – by buying them on the secondary market. None of these cost me more than a dollar or so, but some are worth five or ten times that now.

The above shows examples of non-English lands. MTG has been printed in 11 languages and I have lands in most of them (I think). The middle top card is an unusual exception: this is swamp printed in ‘phyrexian’ which is a (fake) language in the MTG universe.

Speaking of events, the above were all given to me by Adam, and are signed cards that he obtained from the artists at various events he attended. The middle one is heavily ‘altered’, which means the artist drew over the art with paint pens, leaving only the name of the card visible. For most of these artists, I have several different signed lands.

Here’s a unique inclusion: the ‘Florence lands‘! She decorated five lands with stickers many years ago and gave them to me as a gift. For all this time they had been the first page in the binder introducing the collection, and they remain an important and unique part of it. I wonder if she remembers making them?

In 1998, when MTG was five years old, an important and notable thing happened with land cards. In the set Unglued the first ‘full art’ land cards were printed. They dispensed with the text box at the bottom to fill the card with art and were very popular. Subsequent sets would rarely include new full art lands. The above shows examples from Unglued to Amonkhet (in 2017).

Full art lands have become more common in recent years, and the above five examples span less than three years of sets. Some think the island shown above (from Unstable) is the prettiest land card ever printed.

Some more basic lands. I’m a big fan of the black and white versions from the recent Innistrad sets, but many weren’t.

The above are five of the ten full art lands from the recent Kamigawa set. These are done in the Japanese ukiyo-e style and are some of the more unusual (and pretty!) lands MTG has ever printed.

Following on from the above is an unusual addition: these are unofficial ‘proxy’ cards made by fans. I got these on Etsy and they are another ukiyo-e inspired set done by a Japanese artist. The quality of these cards is incredibly high, and they’re almost indistinguishable from a real Magic card. (I’m amazed Hasbro hasn’t shut down people selling high quality proxies…)

The above show some of the more unusual and ‘rare’ lands I currently own. These are all from a type of release called ‘secret lairs’, which are very limited cards sold exclusively online. Unfortunately some of the lairs have contained lands, and since I believe they’re overpriced I’ll likely never obtain most of them. However I couldn’t resist buying a few examples on the secondary market. The top left is a ‘godzilla plains’ and the bottom right from a release that went overboard reverse-parodying the full art design motif.

Speaking of rare, a number of my lands have become very collectible. I have many ‘beta’ land cards, and those are worth $10 or more each today, and as I mentioned above some of my promo lands have appreciated a lot in recent years. But the biggest surprise as I was going through my collection was the current value of the so-called ‘APAC lands’.

These were a set of 15 land cards given to customers by game stores in the Asia-pacific region in 1998. I bought a full set many years ago for not much money (I think about $30) and they’ve massively appreciated since. The two above are worth about $150 each, and may be my most valuable magic cards! (I didn’t know this until a few days ago.)

There’s the whole collection. I don’t know exactly how many I have, but it’s more than 1500. I read recently that there’s been over 2200 unique land cards, so I’m missing a great deal, but I suspect most of them are promos or otherwise-unattainable releases like the European equivalents to the APAC lands.

In all these cards you’re probably wondering, which is my favourite? That’s an easy question, and the answer never changes. It’s this APAC plains, which shows Australia:

MTG is more successful than ever, and the set frequency seems to have increased, with each set bringing more basic lands. It’s a cheap card type to collect, since most players don’t care about the lands at all, so I’m not stopping any time soon. I’ll end this post with some examples of lands releasing in the remainder of 2022. If I ever update this post, you can assume I’ve got (some of) these as well:

Posted in Art, Blog, Collecting, Games, Miscellaneous, MTG, Otaku, Retro, Time, Trading Cards | Comments Closed

The Inevitable List Of Ten Things My Brother Will Buy Me For My Birthday!

Sunday, February 13th, 2022

It’s been a whopping eight whole years since I’ve posted a list like this, but yesterday I was thinking that my brother may be having difficulty finding a birthday gift for me. Ever the helpful sibling, I decided to give him some assistance.

So here you go brother, ten simple suggestions!

Let’s start with an action figure! Darth Plagueis was released eight years ago in the 3.75″ ‘black collection’ and as with most figures of that era was frustratingly difficult to find and hardly made it to store shelves. Had I seen it I would have bought it for sure, but now mint-on-card versions are only available for $100+ on eBay. I’d love to put this guy in a box and never look at him again!

Speaking of figures, I recently learned about a series of Guyver statues by Prime 1, including the above showing a Guyver-0 standing atop a defeated T-Rex. It’s an amazing piece, standing almost one meter tall and weighing over 25 kg! Unfortunately it’s sold out but even if it wasn’t the $1300 price tag (not including the insane shipping cost from Japan) is something I would never spend myself but think is entirely appropriate for a birthday expense!

Vinyl is really hot now, and while my record player no longer works I think it’s obvious that I’d love the above vinyl album (not CD!) from 1962. This was long before Pertwee became (the best) Doctor, and apparently he was already famous enough to release an album full of bawdy ditties! You can listen to the songs on YouTube and they are of course abysmal, so the album would be one ‘for the collection’.

Let’s switch to games! I’ve got an impressive Fighting Fantasy book collection but despite my efforts have yet to obtain an original 8-bit FF computer game. There’s a few available, for 4 systems (C64, Spectrum, BBC, Amstrad) so it shouldn’t be too hard for Bernard to get me one (on eBay UK most likely) for around £25! Naturally I want it in the original cassette case and in NM or better condition.

Speaking of games Ive seen the above myself a few times on recent Japan trips, and every time I do I nearly buy it. But the astonishing prices (¥40,000+) have always given me pause, and as a result a hole in my Wizardry collection remains unfilled. Bernard’s going to have to be careful when he buys this one though: ‘discount’ ($200) copies are easy to find, but they almost certainly don’t include the trading card!

Naturally, since Bernard will probably become an expert in navigating Yahoo Auctions Japan for the last item, he should keep his eyes peeled for the above as well. This is the Xevious gamebook released by Namco in the mid 1980s and, much like the game, this book tells the story of Mu and Eve as they pilot Solvalou to travel to Garu Andor Genesis and destroy GAMP. Apparently the game system is very similar to Fighting Fantasy but I wouldn’t know since I don’t own the book. Yet.

Let’s take a sidestep into toys. The LEGO Old Fishing Shack is a masterpiece of design, and several years ago I was with my brother when I picked it up in a shop and said I may buy it. I didn’t, and now it’s $500+ on the aftermarket. But B should realize: a LEGO for me is also a LEGO for him, since one day I’ll take it apart and send it to him so he can enjoy it too. While paying the ludicrous aftermarket scalper prices would be the act of a fool, at least it would be an act that one day benefits him!

We had ministecks as kids and loved them, and it’s time to love them again. Though they are still being released, they’re weirdly hard to find and the few kits I’ve seen for sale here are very kid-centric, like puppies or doll pictures. I reckon B has contacts in Germany that could help him snag me this monster Neuschwanstein kit, don’t you?

Who doesn’t love View-Master? I know I do, and my measly collection would receive a wonderful boost with the addition of the above set. Sadly it’s hellishly rare these days, with single reels (of the three-reel set) going for $25 or more in poor condition. If he gets me this, naturally in the original packaging, I promise I’ll blog it in detail!

And what better thing to end on than a pair of shoes! You didn’t see this coming did you? Yes my friends these are the 2016 limited edition Ultraman Converse All-Star shoes sold at only one store in Japan. Once again condition and packaging are important since I’ll never wear them, and unused examples in the original boxes go for silly amounts on Japanese auction sites these days. Indeed, you’d have to be a ~~damn fool~~ brother looking for a birthday gift to even consider entertaining some of the scalper prices…

So there we go, ten easy items only a click or two away. I wonder how many of these he will get me this year?

Posted in Blog, Books & Comics, Collecting, Crafts, Gamebooks, Games, Music, Otaku, Retro, Toys | 2 Comments »

Wired For Sound

Friday, January 7th, 2022

The first record shop I remember was at Garden City. I believe it was called Sound World, and it was there I bought my first vinyl 7″ record (which I still own today) when I was ten years old. It was a retail store in a shopping center, which meant it was clean and not-scary for a little tyke like myself, and I loved it. I used to flip through the records almost at random, entranced by the cover art. I sometimes asked the clerk to put a particular single on, since this was pre-muzak and shops usually played their own records over the PA. I collected the weekly singles charts (which were nicely printed for people to take) and often looked at but never actually bought a poster. I always wanted the large poster of the album cover art for Borrowed Time by Diamond Head, and was surprised when many years later I visited a friends house (MS) for the first time and saw it on his wall!

Since we frequented Garden City I seemed to visit Sound World almost weekly, and many of my early purchases were made there. I had a brief flirtation with 7″ vinyl, but when Bernard and I got tape players for Christmas in early 198X we both switched to cassettes. I bought lots of then, mostly with my paper route money. Looking back, it feels like that’s what almost all my money went on! Around 1984 I discovered the ability to order records from catalogues, and this opened up my world in unimaginable ways. I learned there were other records even beyond what was stocked in the shop, and never looked back. In that year I ordered Forever Young (the album) by Alphaville from the David Jones record counter and when it arrived it changed my life.

Ordering music became routine, and much of my mid to early Depeche Mode collection – which is downstairs in this house right now – was obtained via ordering since often the shops wouldn’t stock it by default. Sometimes I felt I knew more about using the ordering system that the clerks that worked in the stores, and looking back on it – writing numbers on little pieces of paper torn out of a ticket book and waiting for them to call to say it’s in stock – it seems very quaint. But it worked, and I loved it.

As I grew older I found stores further afield, and by my middle teenage years Bernard and I would regularly hit the ones in the Newcastle CBD. I don’t recall the names now, but I remember them older and dirtier and more mysterious than my mall haunts. They’d have records that seemed to go back to when my parents were kids, and the posters on the walls suggested times long past. But often they also had more eclectic selections, and when I got into new wave and – particularly notable for me – UK import stuff, these were the stores I kept returning to.

When dad went to Germany in the 1980s I asked him to bring me back some Alphaville singles (which I couldn’t even order in Australia) and he succeeded in spades bringing back a trove of them. Even better was that he’d kept the packaging – for a store called Saturn in Hamburg – and he had also picked up an encyclopedia catalogue. I was absolutely astonished by the minute print in the page after page of listings (all in German of course) and used to dream of visiting the place! I think we entertained the idea of even trying to order something from the catalogue, but never actually did.

When I was about 16 or 17 there was a little shop on Hunter Street hidden in a small arcade that was a good place to pick up singles and (in later years) CD singles, and was often my go-to for the latest Depeche Mode or Erasure releases. There was a tiny cafe next door that sold good sausage rolls, and I’d often spend time looking through the records then stopping for a roll and a coke, eating it on a flimsy table outside next to the glass storefront while looking through my purchases. I recall one of the clerks one time calling me ‘captain’ when I bought something, because I was in uniform and had my captains badge on. Looking back on that shop it seems the owner must have had music tastes similar to mine, since it carried very different music than the typical store in those days. It closed before I left Australia though, and I recall being disappointed the day I stopped by to find it gone.

It was around that age when I took my first solo day trip to Sydney for shopping. If I go to a city now (say New York) just for shopping, music doesn’t even enter the equation, but in those days the trips were exclusively for record shopping! There were a great many very specialized stores in the Sydney CBD and I used to hit them all. At first it was Redeye, Phantom and Waterfront, but toward the early 1990s Metropolis, Galaxy and Underground (and occasionally Utopia) were added to my schedule. These were all heaven for collectors like myself: places where you’d actually see the latest variant 7″ or 12″ releases by my favourite bands (in original sleeves!) not to mention the records covered in NME. It was in these stores that I bought most of the Nick Cave, Depeche Mode, Erasure and Sisters of Mercy vinyl I still own today. Every trip I’d buy enough that I could barely carry it, and my day would be endless visits to record stores punctuated by McDonalds and the obligatory stops in the arcades on George Street.

In fact it was in Redeye that – on a whim – I bought a record by a band I’d never heard of based on the cover art alone. That purchase of Dawnrazor by Fields of The Nephilim back in 1987 probably changed my life as well. In 1989 I was in a Sydney record shop (with SMC) the moment the earthquake hit Newcastle, which was another pivotal event in my life.

I went to Sydney very often in the late 1980s and early 1990s; probably once a month. The train was free for me in those days, and I loved the ride as much as the shopping. Sometimes Bernard came too, or I went with friends, or I met a friend down there (the mysterious CRS, who probably deserves her own blog post one day…). I apologize if you ever came with me and was bored/exhausted as I dragged you around endless record shops for 12 hours!

Used record shops were another favourite of mine, and Rices on Hunter Street was a popular stop after school back in the SFX days. It was an incredible location for vinyl and CDs (and books) and almost impossible to go into without walking out with some treasure. I feel it was the first used record shop I ever visited, which is extraordinary considering how great it was. But in Sydney as you walked toward to the CBD from Central Station you walked right past two stores – Lawsons and Ashwoods – that made Rices look like a hole in the wall. These places were always dense with people and had an incredible diversity of books and records that seemed to completely change every time I visited. I remember they were hot and smelled of old paper, and it was often frustrating trying to find order in the seemingly chaotic sorting. But I persisted, and many times I’d find something I was interested in and hide it so I could pick it up on the way back to the station at the end of the day 🙂

In an indirect way, KLS and I met over records. We were both collectors, and discovered each other via a record collecting message board for a particular band. When she visited Australia back in the 20th century I took her to all my usual haunts and I don’t even think she was bored (based on the fact she later agreed to marry me)! One of my favourite record shop anecdotes is from that trip: KLS and I were resting our legs on a long bench outside Metropolis, which was a dance/alternative store in a Sydney underground arcade, reading through a free entertainment newspaper. The back cover was an advert for a Right Said Fred concert, and when I glanced at the guy sitting next to me on the bench I was astonished to notice it was a guy from the band! He looked at me, and then at the advert, gave me a massive smile, and walked away. Not a word was said 🙂

Even when I came to America I used to frequent record shops, albeit mall ones in those days. By then they sold movies as well, and the size of the stores dwarfed the ones I was used to from my youth, and I loved visiting them and browsing the stacks. But record shops were famously one of the earliest victims of the changes the internet brought the world, and by the early 00’s were all but dead in the USA. In a very short time they closed in all the malls, and then everywhere. Standalone music shops were suddenly gone, and the joy of browsing the new releases or the used bins went with them. The vinyl resurgence has caused things to change a bit in the last decade, and some stores have returned, but I still think the days of a record shop in every mall are lost to history

So many happy memories of times spent in record shops. Is it the same for you?

Posted in Blog, Collecting, History, Music, Retro, Time | 4 Comments »

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