Archive for the ‘Retro’ Category

The Inevitable List Of Ten Things My Brother Will Buy Me For My Birthday!

Sunday, February 13th, 2022

It’s been a whopping eight whole years since I’ve posted a list like this, but yesterday I was thinking that my brother may be having difficulty finding a birthday gift for me. Ever the helpful sibling, I decided to give him some assistance.

So here you go brother, ten simple suggestions!

Let’s start with an action figure! Darth Plagueis was released eight years ago in the 3.75″ ‘black collection’ and as with most figures of that era was frustratingly difficult to find and hardly made it to store shelves. Had I seen it I would have bought it for sure, but now mint-on-card versions are only available for $100+ on eBay. I’d love to put this guy in a box and never look at him again!

Speaking of figures, I recently learned about a series of Guyver statues by Prime 1, including the above showing a Guyver-0 standing atop a defeated T-Rex. It’s an amazing piece, standing almost one meter tall and weighing over 25 kg! Unfortunately it’s sold out but even if it wasn’t the $1300 price tag (not including the insane shipping cost from Japan) is something I would never spend myself but think is entirely appropriate for a birthday expense!

Vinyl is really hot now, and while my record player no longer works I think it’s obvious that I’d love the above vinyl album (not CD!) from 1962. This was long before Pertwee became (the best) Doctor, and apparently he was already famous enough to release an album full of bawdy ditties! You can listen to the songs on YouTube and they are of course abysmal, so the album would be one ‘for the collection’.

Let’s switch to games! I’ve got an impressive Fighting Fantasy book collection but despite my efforts have yet to obtain an original 8-bit FF computer game. There’s a few available, for 4 systems (C64, Spectrum, BBC, Amstrad) so it shouldn’t be too hard for Bernard to get me one (on eBay UK most likely) for around ยฃ25! Naturally I want it in the original cassette case and in NM or better condition.

Speaking of games Ive seen the above myself a few times on recent Japan trips, and every time I do I nearly buy it. But the astonishing prices (ยฅ40,000+) have always given me pause, and as a result a hole in my Wizardry collection remains unfilled. Bernard’s going to have to be careful when he buys this one though: ‘discount’ ($200) copies are easy to find, but they almost certainly don’t include the trading card!

Naturally, since Bernard will probably become an expert in navigating Yahoo Auctions Japan for the last item, he should keep his eyes peeled for the above as well. This is the Xevious gamebook released by Namco in the mid 1980s and, much like the game, this book tells the story of Mu and Eve as they pilot Solvalou to travel to Garu Andor Genesis and destroy GAMP. Apparently the game system is very similar to Fighting Fantasy but I wouldn’t know since I don’t own the book. Yet.

Let’s take a sidestep into toys. The LEGO Old Fishing Shack is a masterpiece of design, and several years ago I was with my brother when I picked it up in a shop and said I may buy it. I didn’t, and now it’s $500+ on the aftermarket. But B should realize: a LEGO for me is also a LEGO for him, since one day I’ll take it apart and send it to him so he can enjoy it too. While paying the ludicrous aftermarket scalper prices would be the act of a fool, at least it would be an act that one day benefits him!

We had ministecks as kids and loved them, and it’s time to love them again. Though they are still being released, they’re weirdly hard to find and the few kits I’ve seen for sale here are very kid-centric, like puppies or doll pictures. I reckon B has contacts in Germany that could help him snag me this monster Neuschwanstein kit, don’t you?

Who doesn’t love View-Master? I know I do, and my measly collection would receive a wonderful boost with the addition of the above set. Sadly it’s hellishly rare these days, with single reels (of the three-reel set) going for $25 or more in poor condition. If he gets me this, naturally in the original packaging, I promise I’ll blog it in detail!

And what better thing to end on than a pair of shoes! You didn’t see this coming did you? Yes my friends these are the 2016 limited edition Ultraman Converse All-Star shoes sold at only one store in Japan. Once again condition and packaging are important since I’ll never wear them, and unused examples in the original boxes go for silly amounts on Japanese auction sites these days. Indeed, you’d have to be a damn fool brother looking for a birthday gift to even consider entertaining some of the scalper prices…

So there we go, ten easy items only a click or two away. I wonder how many of these he will get me this year?

Wired For Sound

Friday, January 7th, 2022

The first record shop I remember was at Garden City. I believe it was called Sound World, and it was there I bought my first vinyl 7″ record (which I still own today) when I was ten years old. It was a retail store in a shopping center, which meant it was clean and not-scary for a little tyke like myself, and I loved it. I used to flip through the records almost at random, entranced by the cover art. I sometimes asked the clerk to put a particular single on, since this was pre-muzak and shops usually played their own records over the PA. I collected the weekly singles charts (which were nicely printed for people to take) and often looked at but never actually bought a poster. I always wanted the large poster of the album cover art for Borrowed Time by Diamond Head, and was surprised when many years later I visited a friends house (MS) for the first time and saw it on his wall!

Since we frequented Garden City I seemed to visit Sound World almost weekly, and many of my early purchases were made there. I had a brief flirtation with 7″ vinyl, but when Bernard and I got tape players for Christmas in early 198X we both switched to cassettes. I bought lots of then, mostly with my paper route money. Looking back, it feels like that’s what almost all my money went on! Around 1984 I discovered the ability to order records from catalogues, and this opened up my world in unimaginable ways. I learned there were other records even beyond what was stocked in the shop, and never looked back. In that year I ordered Forever Young (the album) by Alphaville from the David Jones record counter and when it arrived it changed my life.

Ordering music became routine, and much of my mid to early Depeche Mode collection – which is downstairs in this house right now – was obtained via ordering since often the shops wouldn’t stock it by default. Sometimes I felt I knew more about using the ordering system that the clerks that worked in the stores, and looking back on it – writing numbers on little pieces of paper torn out of a ticket book and waiting for them to call to say it’s in stock – it seems very quaint. But it worked, and I loved it.

As I grew older I found stores further afield, and by my middle teenage years Bernard and I would regularly hit the ones in the Newcastle CBD. I don’t recall the names now, but I remember them older and dirtier and more mysterious than my mall haunts. They’d have records that seemed to go back to when my parents were kids, and the posters on the walls suggested times long past. But often they also had more eclectic selections, and when I got into new wave and – particularly notable for me – UK import stuff, these were the stores I kept returning to.

When dad went to Germany in the 1980s I asked him to bring me back some Alphaville singles (which I couldn’t even order in Australia) and he succeeded in spades bringing back a trove of them. Even better was that he’d kept the packaging – for a store called Saturn in Hamburg – and he had also picked up an encyclopedia catalogue. I was absolutely astonished by the minute print in the page after page of listings (all in German of course) and used to dream of visiting the place! I think we entertained the idea of even trying to order something from the catalogue, but never actually did.

When I was about 16 or 17 there was a little shop on Hunter Street hidden in a small arcade that was a good place to pick up singles and (in later years) CD singles, and was often my go-to for the latest Depeche Mode or Erasure releases. There was a tiny cafe next door that sold good sausage rolls, and I’d often spend time looking through the records then stopping for a roll and a coke, eating it on a flimsy table outside next to the glass storefront while looking through my purchases. I recall one of the clerks one time calling me ‘captain’ when I bought something, because I was in uniform and had my captains badge on. Looking back on that shop it seems the owner must have had music tastes similar to mine, since it carried very different music than the typical store in those days. It closed before I left Australia though, and I recall being disappointed the day I stopped by to find it gone.

It was around that age when I took my first solo day trip to Sydney for shopping. If I go to a city now (say New York) just for shopping, music doesn’t even enter the equation, but in those days the trips were exclusively for record shopping! There were a great many very specialized stores in the Sydney CBD and I used to hit them all. At first it was Redeye, Phantom and Waterfront, but toward the early 1990s Metropolis, Galaxy and Underground (and occasionally Utopia) were added to my schedule. These were all heaven for collectors like myself: places where you’d actually see the latest variant 7″ or 12″ releases by my favourite bands (in original sleeves!) not to mention the records covered in NME. It was in these stores that I bought most of the Nick Cave, Depeche Mode, Erasure and Sisters of Mercy vinyl I still own today. Every trip I’d buy enough that I could barely carry it, and my day would be endless visits to record stores punctuated by McDonalds and the obligatory stops in the arcades on George Street.

In fact it was in Redeye that – on a whim – I bought a record by a band I’d never heard of based on the cover art alone. That purchase of Dawnrazor by Fields of The Nephilim back in 1987 probably changed my life as well. In 1989 I was in a Sydney record shop (with SMC) the moment the earthquake hit Newcastle, which was another pivotal event in my life.

I went to Sydney very often in the late 1980s and early 1990s; probably once a month. The train was free for me in those days, and I loved the ride as much as the shopping. Sometimes Bernard came too, or I went with friends, or I met a friend down there (the mysterious CRS, who probably deserves her own blog post one day…). I apologize if you ever came with me and was bored/exhausted as I dragged you around endless record shops for 12 hours!

Used record shops were another favourite of mine, and Rices on Hunter Street was a popular stop after school back in the SFX days. It was an incredible location for vinyl and CDs (and books) and almost impossible to go into without walking out with some treasure. I feel it was the first used record shop I ever visited, which is extraordinary considering how great it was. But in Sydney as you walked toward to the CBD from Central Station you walked right past two stores – Lawsons and Ashwoods – that made Rices look like a hole in the wall. These places were always dense with people and had an incredible diversity of books and records that seemed to completely change every time I visited. I remember they were hot and smelled of old paper, and it was often frustrating trying to find order in the seemingly chaotic sorting. But I persisted, and many times I’d find something I was interested in and hide it so I could pick it up on the way back to the station at the end of the day ๐Ÿ™‚

In an indirect way, KLS and I met over records. We were both collectors, and discovered each other via a record collecting message board for a particular band. When she visited Australia back in the 20th century I took her to all my usual haunts and I don’t even think she was bored (based on the fact she later agreed to marry me)! One of my favourite record shop anecdotes is from that trip: KLS and I were resting our legs on a long bench outside Metropolis, which was a dance/alternative store in a Sydney underground arcade, reading through a free entertainment newspaper. The back cover was an advert for a Right Said Fred concert, and when I glanced at the guy sitting next to me on the bench I was astonished to notice it was a guy from the band! He looked at me, and then at the advert, gave me a massive smile, and walked away. Not a word was said ๐Ÿ™‚

Even when I came to America I used to frequent record shops, albeit mall ones in those days. By then they sold movies as well, and the size of the stores dwarfed the ones I was used to from my youth, and I loved visiting them and browsing the stacks. But record shops were famously one of the earliest victims of the changes the internet brought the world, and by the early 00’s were all but dead in the USA. In a very short time they closed in all the malls, and then everywhere. Standalone music shops were suddenly gone, and the joy of browsing the new releases or the used bins went with them. The vinyl resurgence has caused things to change a bit in the last decade, and some stores have returned, but I still think the days of a record shop in every mall are lost to history

So many happy memories of times spent in record shops. Is it the same for you?

Letโ€™s Trade Cards (Part 3)!

Sunday, June 13th, 2021

It’s been a while, but it’s time for some more random packs of trading cards!

These Pocohontas cards (1995), obviously based on the Disney film, are somewhat bland, mostly due to the somewhat ugly style of the animation. The set contains a selection of impressive chase cards such as etched foils and lenticulars, but the only unusual card in my pack was a standee. This set was overproduced and whole boxes of them can be found for only a few dollars.

Occasionally you open an pack from decades ago and find that all the cards have stuck together, like in this pack of Power Rangers cards (1994). This is due to the inks becoming slightly adhesive over time, and essentially ruins the cards (you can see the damage on the creature card at the lower left). This is a by-the-numbers series with unremarkable but flashy ‘rainbow’ chase cards in every pack.

Desert Storm (1991) is a somewhat infamous series all about the first Gulf War. Several companies made card sets based on this topic, but Pro Set packs were most common. The cards are packed with info but it’s a massive set (300+ cards) that would have benefited from judicious editing. Entire boxes of this set are common as dirt and can be bought for as little as $2 (for dozens of packs) so the cards are basically worthless.

Now these are nice! Released in 1993, these San Diego Zoo cards feature lovely photos of animals with information on the back. They’re well made and would have been a nice set for younger collectors. The set had a few extremely rare (1 in 40 packs or fewer) hologram chase cards and a single (even rarer) ‘tekchrome’ card.

This is a weirdly ugly Hitchhikers Guide To The Galaxy set from 1994 is based on the book (not the TV show) and features bland original art that misses much more than it hits. I struggle to imagine the market for this series, which was released during the heyday of speculation and market saturation. As usual the hologram chase cards were too rare (one per box or so) and based on images I saw online weren’t much prettier than the basic cards.

Webkinz are stuffed animals that come with codes usable on an online site to ‘play’ with the toys online. In the mid 2000s four trading card sets were released, and as you can see they’re execrable. The are technically playable as a TCG though, so maybe I should buy a box and bring it to Oz so Adam and I can have a Webkinz tournament next time I visit?

After this bounty of dazzling packs you may think things couldn’t get any better… stay tuned ๐Ÿ™‚

59 More Hours of Ultraman!

Thursday, June 3rd, 2021

I’ve been continuing with the Ultraman series, watching each as they have been released. Here’s an update with what I’ve seen since the last post.

Ultraman Taro (1973, 53 episodes 22.5 hours)

This was the first ultra-series made after I was born! As with all others, it tells the story of an alien superhero that possesses the body of an earthling to protect the planet against extraterrestrial threats. By now the format was established and the series had won the hearts of Japanese children, and as such most episodes featured a child-in-peril who is then saved by Ultraman Taro. Many kaiju return from earlier series, and overall the production quality felt higher than it was for Ultraman Ace.

Once again much of the series is shot outdoors and on location, and as with earlier series I loved seeing the ‘normal’ Japan of the early 1070s. I always enjoyed glimpses into peoples apartments, shops, tourist sites (even an unusual amusement park!) and restaurants. The fashions are great as well, as with most media created in the 1970s!

What made Taro particularly good was the frequent cameos by other Ultras. Not only does this series introduce Mother of Ultra, but Father of Ultra makes a few appearances as well. Better yet, all previous Ultramen (including Zoffy) feature more than once, and there’s a wonderful two-part episode that even features the original actors of the human hosts from all previous series. I imagine this was incredible special for parents watching the show with their kids back in 1973, seeing Shin Hayata and Dan Moroboshi returning to the series for cameos.

I enjoyed this series quite a bit, and can see why it’s one of the more beloved of the original Heisei-era Ultraman series.

Ultraman Ginga/Ginga S (2013, 27 episodes, 13.5 hours)

This is a strange series, since (more than any other Ultra series) it seems to exist in a world unconcerned by the goings-on. Hikari Raido awakens to the power of Ultraman Ginga, an Ultra ‘from the future’ and uses the power to defend the Earth from evil aliens. Except mostly he’s defending an abandoned school, which he randomly visited in episode 1 for nostalgic reasons. He has a few friends that assist him, but the lack of any concerted government response to the attacks from giant kaiju feels more unusual here than in other series.ย  It’s extremely fast-paced as well, wrapping itself up in only 11 episodes. I wonder if even the creators felt the show lacked a bit of spark as they were making it?

The solution: a quickie sequel! Ultraman Ginga S came out the following year, and added a second new Ultraman to the show: Ultraman Victory. In almost every way he’s cooler than Ginga and the dynamic between the two (first jealousy, then brotherhood) works well as they battle off the evil Alien Chibull, who is trying to steal resources from Earth. Ginga S as a series works much better than Ginga, and the two followup movies wisely include both Ultramen. Ginga S also includes Japanese idol Moga Mogami in a guest role as an android named Mana, and she steals the scenes every time she turns up ๐Ÿ™‚

Overall Ginga is a little weak, but Ginga S is great and redeems Ginga quite a bit.

Ultraman Geed (2017, 27 episodes, 11.5 hours)

This is a great series. Rika Asakura (played by a 16-year-old) is Ultraman Geed (pronounced ‘jeed’) who we eventually learn is the son of the evil Ultraman Belial. Through the usual hijinks, he lives in a teleporting base with an alien and a cute girl, and collectively the three fight off the efforts of Ultraman Belial to destroy the universe. It’s an absurd setup to be sure, but the show is so fast-paced and insane it doesn’t matter.

There’s lots to love here. Belial’s host is an author specializing in books about mysteries (such as lost cities, unexplained phenomena etc) and the actor plays the role very well. Riku’s got a childhood friend who pretends to sell insurance but is actually a space policewoman with an (extremely cool) android boss, and there’s some great episodes where she is jealous of the girl Riku is living with. But the best inclusion is an office worker who is the unwilling host of Ultraman Zero (historic nemesis of Belial and all-around badass Ultraman). This guy does the whole Clark Kent/Superman thing perfectly – down to the glasses – and his transformation into Zero is always grand. He’s not just a cameo either, and is in almost every episode (as is his family). They could have just as easily called this Ultraman Geed/Zero!

Geed has some insane transformations, especially once he assumes the powers of Ultraman King. Zero also goes through various levels of upgrades in this series, and the battles in the last few episodes (and the movies) feature all sorts of dazzling effects and special attacks. As a very recent series the kaiju suits are often breathtaking as well, and many times I wondered if they were all physical effects or enhanced with CG.

A truly wonderful Ultra series. Maybe it’s even better than Ultraman Orb ๐Ÿ™‚

Ultraman R/B (2018, 25 episodes, 11.5 hours)

The followup series to Geed (yes they make a new one every year) features not one but two Ultramen! Brothers Katsumi and Isami are Ultraman R and B, who together must fight against the machinations of Aizentech president Makoto Aizen, who is using a dark alien power to turn himself into an evil Ultraman…

…except that doesn’t last long and mid-series we find that the true villian is extremely cute gothic princess Saki Mitsurugi, who wants to destroy the world and just may have the power to do it!

Without giving too much away there’s more to the story than I just described, and it’s got quite a few twists and turns to keep you guessing down to the very last episode. The two brothers start a bit irritating, but quickly endear themselves as they realize there’s strength in brotherhood, which they point out to each other (ie. the audience) almost every episode! The villians are great, but goth-girl Saki has such screen presence that you will almost completely forget the first-half villian as soon as she appears! This series has a lot of comedy as well, including the few (usual) comedy episodes some of which break the fourth wall as they joke with Ultra conventions.

Of course R/B eventually learn to individually power up and when that’s not enough they actually merge together to create Ultraman Reube. Even that’s not enough for the final boss, so Reube himself powers up via special crystals. It’s all bonkers and a means to sell toys to kids, but it gives me a laugh every time. In a great surprise the movie introduces an extremely unique new Ultra as well, but I can’t say more without spoiling it ๐Ÿ˜‰

The effects are great, the story is interesting, and the characters likeable: another fun and enjoyable Ultra series.

So that’s another 60-odd hours down, but of course there’s loads more. I don’t even think I’m halfway through all the Ultra series that will eventually be released, and indeed I already have Ultraman Leo in my possession and Mega Monster Battle and Ultraman Zero Chronicles are soon to be released. Look for another set of reviews in a year or so ๐Ÿ™‚

Oh yes that last pic? That’s from the upcoming film Shin Ultraman, which I’m looking forward to more than any other film. If it’s anywhere near as good as Shin Godzilla was, it promises to be something special indeed.

The Sky Is Falling

Friday, May 14th, 2021

Back in July 1979, I feared that I might die because of Skylab falling on me.

Skylab was the first ‘space station’, built and operated by the USA for 10 months from mid 1973 until early 1974. When the final crew departed they put Skylab into a higher orbit with the intention of leaving it in space until 1983 when the (in development) Space Shuttles could service it. Ultimately nature had other ideas and by 1979 it was clear Skylab would fall to Earth.

NASA’s calculations suggested it would land in the eastern Indian Ocean somewhere. But they didn’t know precisely where or when, and in Australia we were very aware there was a chance it would land smack on us! I can still recall schoolyard doomsayers predicting it could land on someone’s house, and to 7-year old me this was (very briefly) the new big scare to replace King Kong snatching me out of a window one night.

On July 11, 1979, during its 34,981st orbit, NASA made a last minute adjustment to prevent Skylab from falling on the USA. Later that night it entered the atmosphere and while most of it burned up as it fell some parts eventually rained down on remote areas of the western Australian outback.

It didn’t fall on our house, or anyone’s house for that matter. At best it may have given a kangaroo a bit of a start.

The madness quickly transitioned from ‘Skylab will fall on you!’ to ‘If you find Skylab pieces you’ll be a millionaire!’ and treasure hunters of all stripes descended on the outback to find what remained of the space station.

Some were successful, finding many pieces including some very large ones. Much of it is on display now in a museum in the town of Esperance, but some made its way into private collections. While the USA claimed that Skylab was still its property, it never made any attempt to claim debris. Quite the opposite actually: president Carter apologized to Australia and NASA gave memorial plaques to those that found the first pieces of debris!

In the end Skylab was a successful mission, the falling to earth didn’t hurt anyone, and everyone emerged smiling. The world moved on.

There have been many more cases of spacecraft raining down in the years since, and every time it happens (as recently as last week) the media reminds us once again that they might land on our houses! Let’s hope, like Skylab, that when our space trash does fall back to Earth it’s careful enough to land far away from any of us ๐Ÿ™‚