Archive for the ‘TV’ Category

Pong

Friday, November 27th, 2015

For my next electronics kit challenge, I made this:

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Yes, a TV Pong kit, in component form. It was cheap (about ~$10) and looked easy to assemble. Could it be any good?

Here it is ready to be put together:

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Not a bad amount of pieces. The PCB is very clean and easy to solder onto, and compared to some other kits I have made this one was extremely easy to assemble. All told, it only took about an hour. Here’s the finished product:

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What you can’t see: my impressive soldering πŸ™‚

But the true test was to come. Skeptically, I connected it to my ‘TV that exists just for old game consoles” and turned it on…

The ball moves so quickly it’s almost impossible to hit it, even in the 1P mode. But whether it is playable is immaterial: it worked first go!

Even if you’re not impressed by that, I was πŸ™‚

Review: Galactica 1980

Thursday, February 26th, 2015

Back in 1978, right in the midst of Star Wars hype, a TV show called Battlestar Galactica aired. I recently bought the entire series and we watched it again, and it holds up quite well today. Sure there are a few too many episodes of Starbuck crash-landing on planets, and sure the logic of them doggedly crossing the universe looking for a Earth whilst leaving countless habitable planets in their way is questionable, but it’s fun.

The show only ran one season though, before being taken off the air. Fan response was loud, and even in those pre-internet days was effective enough to bring the show back in 1980. But the ‘second season’ was different, and not just in name. Here then, a review of the entire series called Galactica 1980.

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Galactica Discovers Earth (episodes 1-3)

We start off about twenty years after the last episode of Battlestar Galatica. Most of the main cast are gone, seemingly replaced with duplicates. Don’t be confused thinking that’s Starbuck and Apollo in the show above, no-sir that’s Dillon and Troy. It must just be a coincidence that the actors could almost be stand-ins! The Galactica has now found Earth, but there is a problem: the planet is not technologically advanced enough to fight off the Cylons. A plan is soon hatched to advance Earth’s technology (Prime Directive be damned!) so the ‘Galacticans’ can feel good about arriving at the planet. Even a child could have pointed out the flaws in the logic of the premise.

The plot for this multi-episode arc is lunacy, and involves time travel (invented by the child ‘Doctor Zee’ and never before even hinted at in the series), the dad from The Brady Bunch, flying motorcycles, rescuing Jews from the Nazis (I wish I was joking), far too much use of invisibility technology and endless use of old footage to save money on special effects. KLS and I were slack-jawed as we watched, hardly imagining this was the next season in the ‘same’ series as we had just finished watching. The acting is wooden, the plots illogical and insane, the comedy (?) insulting and the special effects bad even by 1980 standards. It’s a travesty, and I wept a single tear as I quietly uttered “How did it come to this?”

Grade: 0 out of 10

BSG TOS 1980 1x01

The Super Scouts (episodes 4 & 5)

Close to the start of these punishingly bad two episodes is a lengthy scene in which a group of ‘Galactican’ students are taught about gravity. Seemingly endlessly, Apollo Troy drones on as if reading from a textbook. It’s mind-boggling until you realize the show had to include such nonsense to satisfy arcane requirements on educational TV content back in those days. Such inclusions (in every single episode) make what was already the worst sci-fi TV series ever made even worse.

But I digress. It’s hard to believe anyone kept watching this series after the three-part opener, but for those that did these two episodes must surely have tested their resolve. We learn the Galacticans are super powered on Earth due to the lower gravity (ie. they rip off Superman), Starbuck Dillon and Apollo Troy are tasked in setting up a colony of children on Earth and hijinks ensue. We have such wonderful scenes as comedy police chases (ie. they rip off Dukes Of Hazzard), wretched acting by talentless children most of which are named ‘Larson’ and scenes of tense (?) medical drama as the kids fall victim to poisoning due to a nearby chemical plant dumping waste into a river. Yes, it’s an ecomentalist fantasy involving kids, superpowers, flying motorcycles and nothing –Β nothing at all – that is entertaining to watch.

Grade: 0 out of 10

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Spaceball (episode 6)

This episode answers the question no-one ever asked: “What if Battlestar Galactica was more like The Bad News Bears?” I can’t even bring myself to describe the feelings I had watching this execrable episode so let’s just talk about Doctor Zee.

In the first episode it is revealed he is a freak supra-genius mutation and it is him that not only invents time travel, invisibility tech and anti-gravity drives but he also provides Starbuck Dillon and Apollo Troy with a sonic-screwdriver like device to facilitate much of the above. Basically he’s Doctor Who as if played by a child cosplaying as John Denver. It would be easy to dismiss him as a character so utterly and inexplicably bad that even thinking about him is a waste of time, but then the creators of the show take things one step farther by recasting him (without explanation) as…

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…that guy. Yes my friends, Doctor Who Zee actually regenerates! As the series moves on his omniscience seems to grow to the point where even Adama seems to be in his thrall and then in a predictable (for this show) move, everything we know about Doctor Zee is turned on it’s head in the final episode. But I’ll get to that, since right now I’m reviewing Spaceball, which I say with dreadful and sincere honesty is the very worst episode of any sci-fi series I have ever seen or ever will see.

Grade: <0 out of 10

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The Night The Cylons Landed (episodes 7 & 8)

Anyone still watching in 1980 must have been a sucker for punishment or had only one channel, because Spaceball would have driven any living human away from this show. And yet, the terror continues in a story that introduced strangely human cylons (the guy in the above photo) and is extensively written around a Halloween party at which the (real-life) radio DJ ‘Wolfman’ Jack is a guest. Capers ensue. New lows include Starbuck Dillon and Apollo Troy dancing in a pantomine whilst evading police and the usual nonsense involving flying motorcycles and comedy based around how utterly stupid the two pilots Adama chose to basically save the entire Earth are.

That said, this is a rise in quality for one reason: It’s got a cylon in it. And I don’t mean that dude in a grey suit that no-one actually believes is a cylon, I mean the classic silver-suited cylon with the red eye. When I watched this episode as a child I bet I loved that part. Watching it as adult, it only helped to slightly dull the pain.

Grade: 1 out of 10

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Space Croppers (episode 9)

Surely the creators were just having the viewers on by now? This would be the final episode of the series to feature most of the main cast, and is an edu-drama simultaneously teaching students about the evils of bigotry (against Latinos) and such riveting facts as seeds needing molybdenum in the soil to germinate! Even as I type these words, I can barely believe they are true.

The Galacticans need food badly, so Starbuck Dillon and Apollo Troy – Bad News Bears Super Scouts in tow – essentially take over the imperiled farm of a lovely mexican, saving him from the cruel ministrations of a Boss Hog-like landowner. Not once do we ever get any sort of explanation as to how a single farm can feed the entire fleet, nor why it was ok to leave the children in the hands of a female reporter who was presumably introduced (way back in episode 1) as a love-interest that never came to fruition due to the 7 pm time slot. Not once do we actually care, since this is an almost unimaginably bad episode, packed to the gills with awful dialogue and ‘action’ scenes written by someone who just no longer cared (such as when our heroes plough a field in seconds by using their lasers). In the last scene, as the flying motorbikes streak off into the sunset, it’s hard to imagine any viewer ever wanting to see them ever again.

Grade: 0 out of 10

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The Return Of Starbuck (final episode)

Dirk Benedict, who played Starbuck in the original series, famously dodged a bullet by being unavailable when Galactica 1980 started. Even his charm couldn’t have saved the awful scripts and constraints put on the series by the network (educational content, kids, Earth-based episodes). And yet he returns here in the series swansong, and somehow it works.

The episode starts with Doctor Zee describing a fever dream he recently had, and this frames a story about Starbuck crashing (surprise, surprise) on a planet, repairing a cylon, befriending the cylon, finding a mysterious pregnant women and eventually building a ship (!) to save her and the child. It is eventually revealed the child is none other than – drumroll please – Doctor Zee! Which means either Adama was a big fat liar back in episode 1 or the scriptwriters were so strung out on coke by now they just didn’t give a damn.

Don’t get me wrong – this is a dreadful episode of a dreadful show. But in the Galactica 1980 annals, this is by far the best episode. Starbuck is back! There’s cylons! They talk and make jokes together! It’s a buddy comedy in space! Nothing about it is believable or even plausible but to an audience beaten senseless by 9 weeks of the worst TV they had ever seen this must have been like a message from God.

Grade: 2 out of 10 (or 10 out of 10 by Galactica 1980 standards)

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This last shot is not the third actor who played Doctor Zee, no this is myself, from around 1978 or 1979. About the age I was when this show originally screened. I had never seen it since, but watched it all when it was first on. And you know what, I remembered a lot of it! Even before we started watching I was telling KLS about dim memories of Wolfman Jack and invisible spaceships and even Starbuck befriending a cylon (not to mention a mysterious story involving a cylon painted black, but we’ll ignore that for now). I wonder if I watched it with a twinkle in my eye, half-plastic cylon model ship in hand, dazzled by the fantasy and charmed by Starbuck Dillon and Apollo Troy?

As bad as this show was – and is – I truly wonder what I thought of it as a child. Did I like it? Did I love it? Did I go and see the film ‘Galactica Discovers Earth’ that was edited together from the first three episodes and only shown in cinemas in Australia and New Zealand? I wish I could use Doctor Zee’s time travel technology to go back 35 years and ask myself πŸ™‚

At Last! The Annual List Of What My Brother Will Buy Me For Christmas!

Thursday, October 30th, 2014

The other week I got this text from a certain brother-of-mine:

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I was astounded. In previous years I had produced such lists, but little did I know that they had worked their way into the tapestry of my brothers christmas-shopping life (so to speak).

He went on to say “money is no object and “the more obscure and difficult to find, the better“. Sadly I forgot to screenshot those bits.

So Bernard, as requested…

Books Category

The ZX Spectrum Book (Andrew Rollins)

hive books

A few years back Bernard got me ‘The Commodore 64 Book‘ which was just fab. I quickly snapped up the followup (‘The 8-bit Book‘) but have been tragically unable to acquire the first book from this small publisher. This is perhaps not surprising, since it was published over five years ago in small quantities and is long out of print. I don’t know exactly where he’s going to find it, but when I open this beauty on Christmas day I’ll be a happy reader indeed!

The World Of The Dark Crystal (Brian Froud)

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Given there is now a sequel to the film coming, I believe Christmas 2014 would be the perfect time for my brother to put on his sleuth’s hat and solve an outstanding mystery. You see I don’t just want any copy of this book, I want my copy. Truth is, as a youngling sprout, I purchased myself a copy of this lovely tome from Angus & Robertson Charlestown Square. This would have been back in ’82, when the film came out. It was a mildly expensive book, and I had to utilize lay-by to get it! And oh how I loved it! It was one of my most treasured possessions, ‘my precious’ if you will. And then some soulless inhuman thief nicked it :<

As I hinted, the mystery of who stole my book is as yet unsolved. The only lead I’ve had these 32 long years is this photo taken by a security camera:

With cousin Anna in 1984

I’m hoping, in the spirit of Christmas, Bernard may finally discover the identity of the thief and return to me my beloved tome…

Trial Of Champions (Ian Livingstone)

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Of course I own this book. Multiple copies in fact. But I don’t own the version shown, which is the US imprint. It was the last FF book released in the US during the initial series, and I have all the others. But not this one. And I have looked, oh how have I looked! The problem is sellers very, very rarely (ie. never) bother to specify the imprint when they sell this book online. And given there was probably 80 quadrillion copies of the UK version printed to every US copy, taking a chance is a fool’s errand. I consider myself one of the world’s foremost ‘online searchers for and buyers of’ gamebooks, and boast a bookshelf of more than four hundred. And yet I’ve never seen this one. I look forward to that changing this Christmas day.

DVD Section

It Couldn’t Happen Here (1988)

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Otherwise known as ‘The Pet Shop Boys film’. I saw this a few years after it came out, probably at the Enmore theatre, probably with a lass named Caraid who I forget everything about except her unusual name. I think she looked like Karen Gillan though, and her mum gave me a beer once within 30 seconds of visiting her house. Weird. Anyway I want to see this film again, which means I want it on DVD. This is a tall order, since it’s never been released on DVD. Which limits my options to two: VHS or Laserdisc. The first option is of course absurd, but the second is a possibility since I own a working LD player. Maybe. So that’s the hard part out of the way, now all I need is the disc, in NTSC format of course. I’ve made your work easy Bernard πŸ™‚

Adam Adamant Lives! (1966)

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I’ve never seen this show since it never screen outside of England and I’m not an Englishman. Firstly, the BBC trashed a bunch of episodes so it doesn’t even exist in it’s entirety. Secondly, it’s never been released on anything outside of England. And lastly the DVD set (containing the 17 existing episodes) is long out of print. All these considerations aside, given that this show inspired Doctor Who and The Avengers (and some of Kim Newman’s characters) I obviously need to see it. And I shall, when Bernard gives me the Region 2 box set loaded with extras for Christmas.

Toy Section

Dark Horn ‘Harry Special’ (HM Zoid Kit)

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There’s a lot of beautiful things in this world, and then there’s the limited ‘Harry Special’ variant HM Zoid Dark Horn kit. I mean look at that! Could there even exist a better looking model kit? Of course not, and I therefore must own it. Bernard will undoubtedly agree, and I’m just going to be ebullient when he gives it to me for Christm–

Oh to hell with it! This guy’s so pretty I just can’t goddamn wait until Christmas! Hang on a second, while I go buy it…

<insert sounds of online shopping>

<insert sounds of UPS delivery>

Ok, taken care of. It’s now mine, all mine. And in case you don’t believe me, let Emi prove it to you:

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OMG the box is bigger than Emi! Sorry Bernard. Guess I ruined that as a potential gift πŸ˜‰

L.E.D. Mirage V3: Inferno Napalm (FSS 1:100 kit)

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If I ever met anyone that claimed that any other kit was better looking than this, I’d start by punching them, and I’d end by never being their friend. We all know that Five Star Stories mech’s are stupidly pretty and the jewel-in-the-crown of FSS model kits is unquestionably this one. Sure it costs more than almost every piece of furniture in my house,Β  is supposedly extremely difficult to assemble and when you do takes hundreds of hours, but gosh it’s pretty. Even prettier, I suspect, than Caraid, the girl I saw a movie with 25 years ago and have forgotten about. Oh and Bernard, when you budget for this guy, be sure to add on another $50 or so for the sizeable cost of shipping the collossal box all the way across the USA πŸ˜‰

Game Section

The Sacred Armor of Antiriad (C64, 1986)

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I’m a canny beast. Much like Steven Moffat (aka. the favourite scribe of my illustrious friend Adam ‘The Bold’ W), I like winding secrets into the story of my life. I bet none of you knew back when I penned this that I was in fact laying the groundwork for this very post? That blink-and-you’ll-miss-it reference to this game was none other than a deliberate mention to plant the thought into my brother’s mind that “Hey, that’d be a good gift to get him for Christmas!” This game was never that great, but it has a lot of nostalgia factor, and I’d like to give it a whirl again one day. Now before you say it, I’ll quote my prestigious friend Florence ‘The Bear’ L: “Emulation, shmemulation!” She knows, as I do, that emulation is for fakers, and I must play the original C64 version. This introduces a… wrinkle into the equation though, for even if my bellowing brother Bernard ‘The Brave’ S gets me this game he’s going to have to get me something to play it on. It’s good thing therefore that this list also contains…

Commodore SX-64 (1984)

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Let’s for a moment consider that there even exists a world in which my brother find a US version of one of these portable C64’s in working order and for sale. That alone would be surprising, given the fact they are 30 years old and contain circuitry that has almost certainly worn out after so long (not to mention the screens are infamous for burn-in). But if that happens, we must also consider the chance he would somehow manage to acquire it and not keep it for himself. I would imagine that chance to be miniscule, especially since in good working order this would cost more than that LED Mirage kit mentioned above. These reasons are why this would (no doubt) be a truly heartfelt and appreciated gift. Doubly so when he sends me hundreds of games with it πŸ™‚

Gold Cliff (1988)

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Last year I asked for the Zelda Game & Watch, but Santa ignored me. This year I’ll scale down my desire slightly to the even rarer penultimate dual-screen release: Gold Cliff. I saw one of these boxed, in Japan, for almost a thousand dollars. Naturally I’d want a boxed version, so it’s a good thing my brother made that quip about money not being a problem isn’t it? πŸ˜‰

Miscellaneous Section

Now I’m no fool. I fully realize some of the above are hard to find. And therefore I’ll finish with a brief list of other items that would be wonderful to find under the tree. This list may not contain as much detail as the above, but I can’t do all the work for you now can I?

– t-shirts (large size, preferably with Ultraman on them)
– 4711 soap
– Any other FSS model kit
– A Stonehenge papercraft model kit
– “How to Master The Video Games” (sadly stolen in the same heist that nabbed the Dark Crystal book…)
– Any game & watch that isn’t ‘Turtle Bridge’, ‘Donkey Kong Jr’ or ‘Ball’
– trading cards, preferably sealed packs (of anything non-sport)
– Anything on old lists I don’t have yet (esp. the John Pertwee album of bawdy songs!)

And there we go! Happy hunting πŸ™‚

I Watched 115 Hours Of Old TV Series This Summer

Friday, August 30th, 2013

Over the summer, I consumed an impressive amount of TV. Several entire entire series to be specific. Here are reviews of five of them. There are spoilers in some of these reviews…

Tales From The Gold Monkey (1982; 21 episodes)

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It amuses me that I was only 10 when this came out, although given the usual delay it probably didn’t screen in Australia until 1983 or 1984. I remembered it as a vaguely Indiana Jones-ish show involving a manly man pilot and his friends as they adventure through the pre-war tropics. I also remember loving it πŸ™‚

While my memories were broadly correct, I have to say the show doesn’t hold up well and these days the pace is very, very sloooooow. I actually fell asleep during some of the episodes which may partly be due to the fact I often watched this one after teaching my epic summer-class lectures. It’s hard to find obvious fault, and in particular (most of) the characters and writing are quite good, but the pace is just stuck in time and the stories needed a bit more variety. Also, the supernatural element hinted in the opening episode (and a few throughout) is nonexistent.

Tales of the Gold Monkey <- Bit of a snoozer…

K-9 (2010; 26 half-hour episodes)

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I’ll be honest: my expectations were low. I’d seen bits of an episode in Australia a few years back, and new that this show was aimed strictly at the kids and had virtually nothing to do with Doctor Who, but completeness compelled me to buy – and watch – it.

The creator of the robot dog K-9, once a companion of The Doctor, had for many years been trying to create a show based around the character. This is the result of his attempts, although for legal reasons it has nothing to do with Doctor Who. So no mention of The Doctor, or any companions, or the Tardis or any of that. As you can see, the K-9 character himself is radically redesigned as well, although their is a brief cameo of classic K-9 in the first episode.

If anything, the show is more like the Sarah Jane Adventures than any Who episode, but even then that’s not really a good comparison because it doesn’t even rise to that level. The plot involves a poorly realized (and utterly cliched) dystopian Earth future in which the chief resistance to an overstepping government is (of course) a tiny group of children. Aliens are thrown in as well, to little effect. Poor casting, poor characters, poor writing, poor effects and even an unlikable ‘hero’ in K-9 himself lead to a bit of a bore of a show. It’s not even remotely as good as Who on it’s worst days, and a poor imitation of Sarah Jane as well. As a kids show I suppose it may have been interesting, but it’s hard to imagine K-9 will ever get a second season.

K9_Complete<- K-Not!

Buck Rogers In The 25th Century (1979; 37 episodes)

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In the first few seconds of the movie pilot (which is included in the box set) I commented to KLS that one of the sound effects sounded like from a Glen Larson show. She was rightly appalled that I would know this (since I was correct), but was a symptom I think of how well I remembered this show that I shouldn’t really remember since I was 7 or 8 years old when it was on TV!

This series rode the sci-fi boom triggered by Star Wars of the late 1970s, and followed on from Battlestar Galactica. Despite being set in the far future, Buck Rogers – viewed today – charms by virtue of it’s retro 1970s vibe, as if the year 24XX was designed by Studio 54 patrons. In particular the clothes are absurd, with braless women in spandex and hairy-chested men in long-lapeled lounge suits! The sets are plastic and seem unliveable and the lighting is extreme. The matte paintings however are exceptional, and were apparently painted by an artist that would work on The Empire Strikes Back.

The scifi here is typical post Star Trek nonsense, especially in the second season where the world-building of the entire first season is tossed aside in favour of ‘monster of the week’ episodes mostly shot outside (to save budget) with our heroes now based on a a giant ship traveling through the universe with a mission to find the ‘lost tribes of Earth’ (and I’m not making that up; Larson plagiarized himself in Buck Rogers)! Most planets seem to have only a handful of inhabitants, and yet somehow manage to be a threat to all life on Earth despite not having interstellar travel. The plotholes are more like abysses.

It’s extremely campy, a bit ghastly and the episodes are too long but I have to admit I loved watching every episode of this entire two-season series again and wish in retrospect it had never been canceled due to low ratings.

25192518225_p0_v2_s260x420 <- Better than you think

The Super Robot Red Baron (1973; 39 half-hour episodes)

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In the 21st Century, the SSI (Secret Science Investigators) fight against the evil of ‘Doctor Deviler’ who represents the Iron Alliance, and attempts to take over the world by stealing and controlling giant Robots. Such is their might that only through the power of the awesome weapon, Red Baron, can they be defeated.

While you read this review, play the theme song:

This show is good beyond good. Sure the effects are cheesy, and the suits are rubbery and the acting wooden, but the spirit is there are the result is way, way more than the sum of it’s parts. Yes it starts slow, but after a dozen episodes the writers really hit their strides. By then we’re in love with the characters and the fact that unlike similar tokusatsu series they usually have to fight tooth-and-nail for their victories, if at all. I also like that the fights involve the SSI members as much as Red Baron himself.

I feel I must also draw attention to the episode titles, which may be the best of any series ever made. The first episode is called ‘Conspiracy Of The Robot Empire’, the last is called ‘A Clockwork Tomorrow’, and the series contains other gems such as ‘Beautiful Pilot Of Evil’, ‘Enigma Of The Invulnerable Robot’, and ‘Smash The Deadly Cosmic Weapon!’

In the last few half-dozen episodes the show getsΒ  – impossibly! – even better, as we learn that the Iron Alliance is just a front for the ‘Space Iron Alliance’ and UFO’s and space robots and all sorts of wild villains get thrown into the mix. This builds up to a crescendo of an ending beautifully resolved by a wonderful final episode that may have brought a glint of a tear to my eye. Riveting stuff, and likely the best 1000 self-contained minutes of giant robot sci-fi ever made!

Super_Robot_Red_Baron <- Just amazing

Ultra Seven (1967; 49 half-hour episodes)

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Eiji Tsuburaya is a legend; the man that created most special effects as we know them today and (amongst other things) designed and created Godzilla. In the mid 1960s he formed a production company to make television shows, and the first offering – Ultra-Q – was a bit of a sci-fi homage to The Twilight Zone that went on to become a mega hit. In those days TV shows in Japan were almost never continued into second seasons, so the sequel (of sorts) to Ultra-Q was Ultraman, a story about a powerful being from space who would help Earth fight off dire galactic threats. It too was a mega-hit, and another sequel was quickly planned.

Ultra Seven was that sequel, andΒ  – almost fifty years ago now – was the second Ultraman series ever made. But this was more than just a sequel to Ultraman, this would refine the idea and the character, and through a combination of beautiful scripts, great casting and an astounding man character in Ultra Seven himself, establish itself as one of the very best science fiction series ever created.

The premise is the same as in all other Ultraman series (both before and after Ultra Seven): Earth is regularly threatened by forces from space, and while a team of special investigators (‘The Ultra Garrison’ in Ultra Seven) are instrumental in defending Earth, often the ultimate victory is at the hands of the giant space being Ultra Seven, who must almost always defeat a colossal space monster. Much like Doctor Who, one of the best aspects of the show is that although it was intended for children, it was not written at them and can therefore be enjoyed by adults. Sure the kids (and the not so young) can still love the combat, but the nuances of the scripts – involving human emotion like loss and regret or self-inflicted threats to the Earth such as global warming, pollution and nuclear testing – can have a profound impact on the adult viewer.

The show also tells a complete story. Unlike Ultraman before it (and most Ultra series afterwards), the character of Ultra Seven is established prior to the first episode, in that Ultra Seven has already arrived on earth (from the M-78 Nebula) and possessed the body of a young man who had just died honorably saving a fellow climber in an accident. Therefore Dan Morobashi – the host of Ultra Seven – is not human at all, and although his compatriots don’t know this, we the viewer do and occasionally get fascinating glimpses into the psyche of the alien being as he debates how best he can help humans. The character continues to develop throughout the series (as do the other main characters) and the final few episodes in which Ultra Seven puts his own life at risk to save the Earth are as good as anything I have ever seen on TV.

I can’t recommend this highly enough. It’s probably the best single series of science-fiction TV I have ever seen.

UltraSeven_Complete <- Ultra good!

She Wolf in the Abbey!

Wednesday, February 6th, 2013

While I was in Australia, the following promotional video for series 3 of Downton Abbey was played many, many times on Channel 7:

Wonderful isn’t it? SFL had been raving about Downton for a while but I hadn’t seen it, and unbeknownst to me at the time, KLS was actually watching series 1 and 2 on Amazon prime while I was in Australia. But the music in that trailer…

Then one day Adam and I saw the video for the song:

What an incredible video! Nothing about it is bad! I absolutely love it!

Of course, when I got back I bought the song on iTunes, and now frequently play it at insane volumes while writing lectures. I also watch Downton now as well, and because of that promo the two are inextricably linked in my mind πŸ™‚