Ultraman Cards (Series Three)

This is the third series of Ultraman cards from RRParks, which once again I got via Kickstarter. This set covers the third Ultraman series, ‘The Return Of Ultraman’ which these days is called Ultraman Jack. The box has been aging in a closet for over a year now, and it was finally time to open it!

The Kickstarter sold out instantly (almost literally: it reached its funding budget in under a half hour) and I’m still amazed that the best Ultraman card sets ever come from a small independent American company (which may even be a single man)!

As with previous sets about a half of the 300-odd cards in the set are story cards, kaiju (monster) cards and reproductions of the original art cards. These are all done well, and once again I’m impressed by the quality of the summaries on the backs of the story cards (one for each episode).

There are four subsets of art cards by the same artists. Included in each box are full sets of most of the cards, but the special chase cards (like the pearlescent art cards in the lower left) are not guaranteed.

The kaiju cards have puzzles on the back, and there’s six different puzzles in total. There’s also a subset of 3D puzzles which I didn’t complete in my box:

Speaking of 3D, once again the box came with a set of glasses to view the 18 different 3D cards:

These are well done and the 3D effect is very good. This technology may be old these days, but it’s still effective and I think more card sets should use it.

As far as chase cards go, I hit the lottery with this box, getting far more limited cards than in my boxes for series one or two (which I didn’t blog). My metal card is shown above, and shows a nice render of Jack flying in the sky.

I got half of the 12 lenticular cards (compared to only one in my previous box), and one ‘Jumbo lenticular’ was included as a box topper:

I also got two printing plates, which are the actual metal plates used to print the cards. In each case I got black ink plates, one for card 124 of the story set and one for the back of one of the 3D cards. Here they are shown alongside the cards they were used to print:

I find these fascinating, since I assume the cards are printed in large sheets and therefore the printing plates must be cut before being included in packs. Each plate is of course unique, but I wonder how many exist in total?

I was very lucky to get three original art cards. These are blank cards on which artists have drawn or painted an ultra character, and the three I got are shown above.

The one in bottom right is most impressive and seems to have been painted with some sort of textured paint. These are of course all unique, and since none of my three are included in the reduction art cards, I’m sure there’s a lot of them. I wonder how many?

The rarest type of card is the autograph, and once again I’m amazed a tiny independent American card manufacturer was able to get stars from this 60-year-old series to sign cards. They are extremely rare though – I read some are limited to fewer than 5 cards – and I believe they’re only included in cases of multiple boxes, which makes sense.

This is a great card set and I had a lot of fun opening it. As it turns out the impetus to do so was the arrival of my series four box, which will now sit waiting in a closet until next years (presumed) series five 🙂

LEGO Game Boy

I haven’t bought much LEGO in recent years, but as soon as the above was announced I knew it would be mine. It was released on a workday so I couldn’t go to the LEGO store until after my lectures, and when I got there they only had one left so I left happy. But later on I saw a dozen or more at Walmart so I doubt this is difficult to get.

At 421 pieces it’s not a large set, and it only took me an hour or so to build. It only comes with two stickers (all other labeled bricks are printed) but this is the first LEGO set I’ve bought that includes lenticular pieces:

There’s three of them, and they are the screens. They do a wonderful job of reproducing the iconic colours and draw-in of the Game Boy, and look great in the finished model.

Assembly is easy and fun. There’s many techniques I’ve not seen before used to create a compact model with almost no visible studs. Given the constrictions – it had to reproduce a real product – it’s an extremely impressive design.

The controls all ‘work’. The d-pad can be tilted and the buttons pressed. The contrast and volume dials on the side can be turned, and even the power button can be toggled. Pieces of rubber inside cause the buttons to pop back, and they were very creative using tires placed into slots sideways to make the start and select buttons.

The model comes with two cartridges (Super Mario Land and Zelda: Link’s Awakening) which can be inserted and removed. For the full experience you can exchange the screen as well (which is easy) to match the cartridge.

This is a fantastic kit and it’s truly incredible how well it recreates the original in LEGO. To illustrate, here’s a photo of my original Game Boy next to the LEGO model:

And here’s a LEGO cartridge next to an original one:

An incredible creation by LEGO, and immediately one of my favourite kits of all time. This one will be going on permanent display.

Microcosm in Macrovision

I got a new camera phone. It’s orange!

It was hellishly expensive, but my old phone lasted six years and I hope this one does as well. Even though the tech is generations beyond my old phone, the feature of this one I’m enjoying the most is the macro camera, since my old phone didn’t have one.

That’s a mini Chupa Chup. The photos above are unretouched, and presented in the same size they were captured.

A Lego piece. It looks a bit translucent when viewed using the macro lens, but it’s impressive how smooth the plastic is.

An Australian dollar coin, specifically the honeybee one from a few years ago. The detail on the bee and flowers is almost invisible with the naked eye, and I’m impressed they can mint them at this resolution! You can also see how some of the paint has scraped off, probably due to rubbing against other coins.

These photos are difficult to take since I don’t have a tripod and you have to both provide a lot of light and hold the phone very still! That’s a pill I was prescribed for my hands. I haven’t taken one yet 🙂

There’s an anti-counterfeiting test used on magic cards used called the ‘green dot test’ which traditionally required a jewelers loupe to do. The macro on this phone makes the test possible without one.

Speaking of trading cards, isn’t it interesting that the foil effect on this Waifu card is pixelated?!? I wonder why…

This diecast metal Zoffy figure is only 2 inches tall and one of my favourite possessions. When magnified using the macro lens we can see the paint application is precise, even with sub-millimeter lines.

Here’s a cloisonné pin, which is about 1 cm wide. You can see the paint has wicked up the edges. I wonder how they make these?

A Fantastic Four comic from 1976. Is the pink bleeding into her right eye an error by the colourer or the printer? Did they even notice?

A d20 from our youth. This came in our Dungeons & Dragons ‘red box’ and was from the era where the dice came with crayon to fill in the numbers. Yes, that white gunk is crayon I applied over 40 years ago! The die surface is very pitted, probably from having been rolled countless times over the years.

A dorito. Don’t they look delicious?

And last but not least an amethyst. The flat surfaces are easily visible with the naked eye, but even in macro you’ll see they continue to be extremely – nearly perfectly – flat. This reminds me that I’ve long been thinking about doing a blog post on ‘flatness’…

The orange of my phone is now hidden in a case, and I think it looks cool. As I was preparing this post I noticed the photos app now includes an AI option to remove items and I used it on the above photo. Can you see where something was removed?